Sustainable Innovations
Sustainable Innovations #5: The Healing Imprint
The Healing Imprint by Laura Deschl
SUSTAINABLE INNOVATIONS Spring.Summer 23 #5
Emotional healing through clothing – where science and textiles come together: The Healing Imprint explores the therapeutic potential of knitted garments. Bodysuits, gloves, socks and pillowcases are made to stimulate acupressure points on different parts of the body such as the hands, feet and head when moved. The custom-made textiles have grids through which small massage balls can be moved. By this, the acupressure points can be targeted.
Laura Deschl is not only the designer of these special textiles, but also has a background as a yoga teacher – she used her knowledge to develop a yoga-based movement practice that uses one’s own body weight to increase pressure on certain points of the body. According to Deschl, trauma can also be worked through with this method. In combination with a trauma-sensitive yoga practice, the clothing thus becomes an individual tool that can release and dissolve even deeper emotions. The Healing Imprint shows how the fields of science, economics, medicine, psychology and textile production can be harmonised in an interdisciplinary way.
Allowing and feeling emotions: Mental illness and trauma are often still a rather invisible topic in society. One of Laura Deschl’s major concerns is therefore to draw attention to issues surrounding mental health and the traces of trauma on the body and to destigmatise them. Deschl wants to help patients train their body awareness and in this way bring them closer to their body again.
“With The Healing Imprint garments, the acupressure aims to help the wearer access buried memories or emotions, while the trauma-sensitive yoga practice facilitates introspection around those recollections. Considering that our society has an intense history of war, severe traumatisation and high exposure to everyday postwar stressors were common. These memories can get stored in the body’s memory and even be passed on over generations. Emotional wellbeing and healing is thus another angle to look at sustainability. A balanced body and mind are more likely enabling to make decisions that are in alignment with other humans and the planet.”
– Laura Deschl
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Please find more info about SUSTAINABLE INNOVATIONS in this interview with Simon Angel, curator of the Sustainable Innovations Forum:
Interview about Pre-Creation, -Action and -Connection in our industry >>
Offcuts collection by Studio Popopo >>
Sunkolor by Panorama Fabrics >>
Sustainable Innovations #4: "Sunkolor" by Panorama Fabrics
"Sunkolor" by Panorama Fabrics - The Textile UV Indicator
SUSTAINABLE INNOVATIONS Spring.Summer 23 #4
With climate change still gathering momentum, the intensity of the sun’s invisible UV rays is also increasing. The problem: the intensity is not visible to the eye. The result: sunburn and damage to our skin that sometimes only appears years later which makes it all the more important to protect our important organ.
Exactly this is possible with Sunkolor. The material helps to visually perceive sun exposure and to establish a healthy relationship with it as a result. The technology Panorama Fabrics, the material driven Design Studio from Berlin, manages to make UV rays visible. For this purpose, Sunkolor yarns, which are produced in Germany, are woven into textiles.
When exposed to sunlight, the colour of the material changes thus indicating the dangerous UV index range. The change of colour makes it immediately clear once the situation becomes critical. In the first step, the yarns will be attached in labels to hiking backpacks. In the long term, a variety of different or outdoor garments will be made from this yarn.
The vision:
Create new tools to adapt in a changing environment caused by climate change.
Panorama Fabrics studio aims to contribute with its own products and pioneering designs to highlight the possible interaction between textiles, humans and our climate. Research is being carried out on innovations to make more people aware of the effects of climate change and at the same time support them in dealing with it. The two founders, Gabriela Kapfer and Karina Wirth, share a fascination for different materials and a passion for interdisciplinary collaboration, which enables them to create something new and progressive together.
“Sunkolor makes the invisible visible to create awareness.”
– Gabriela Kapfer & Karina Wirth
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Please find more info about SUSTAINABLE INNOVATIONS in this interview with Simon Angel, curator of the Sustainable Innovations Forum and in the articles about further projects:
Interview about Pre-Creation, -Action and -Connection in our industry >>
Offcuts collection by Studio Popopo >>
Sustainable Innovations #3: +17,4% - Offcuts Collection
"+17,4% - OFFCUTS" Collection by Seok Park / Studio POPOPO
SUSTAINABLE INNOVATIONS Spring.Summer 23 #3
Making good use of leftovers from textile production – and using them to upgrade the same garments?
It’s possible: while working in the garment industry, product designer Seok Park saw the vast amounts of leftovers that are created. It inspired him to put them to good use. With his studio Popopo from Eindhoven, he launched the OFFCUTS project for this reason. In the OFFCUT collection, additional parts for garments are made from fabric scraps – fabric scraps that are left over from the production of exactly these garments and that offer added value when the garments are used. The goal is not only to reuse scraps, but also to add value to them to make another product and thus incorporate them into the garments produced.
Each work is named after the percentage that indicates the waste in the production of garment patterns.
Re-use, re-value, re-connect
“Through the project, I would like to point out the potential materiality of these leftovers by discovering their own unique story as a general material beyond industrial by-products or reusable waste.”
– Seok Park
17.4: This is the percentage of excess cut produced in the production of chore jackets, the classic workwear item. The functional value is now obsolete – so the project uses +17.4% leftover pieces from 60 Chore Jackets to produce a collection of practical accessories. These accessories offer additional benefits for specific conditions such as weather conditions of the different seasons and more.
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Find more infos about SUSTAINABLE INNOVATIONS in the interview with Simon Angel, curator of the Sustainable Innovations forum, the project #1 ‘Biotic’ and the project #2 ‘Offcuts’:
Interview about Pre-Creation, -Action and -Connection in our industry >>
Sustainable Innovations SS23 #1: Bacteria to wear by Lionne van Deursen >>
Sustainable Innovations SS23 #2: Flower Matter by Irene Purasachit >>
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Sustainable Innovations #2: Flower Matter
"Flower Matter" by Irene Purasachit
SUSTAINABLE INNOVATIONS Spring.Summer 23 #2
Whether for the home, in a restaurant or as a gift for loved ones – beautiful bouquets of flowers bring joy in many situations in life. The problem: flowers planted for commercial sale have a very limited lifespan. Once they are in the vase, they wilt after a few days and are thrown away – about 40 percent of the flowers are never sold, so florists have to dispose of them themselves. Irene Purasachit, a designer living in Finland, gives these flowers a second life – driven by the vast amounts of flower waste that are produced daily at the markets in her home country of Thailand.
She recycles them into fabric and paper, from which she makes sustainable bags, purses or flower paper. This not only creates new, biodegradable and plastic-free products – it also saves tons of waste.
For her Flower Matter project, she creates, among other things, “Flower Paper”, a paper made of 100 percent flower stems and leaves. Unique one-offs: the paper varies in colour and structure – depending on the type of flower used. With her “Flaux” material – the word stands for Flower and Flexible Sheet – she creates an all-natural, leather-like fabric that is then made into purses and bags for her collection.
For Flaux, she mainly uses roses and carnations. The colour palette: natural, classic reds, soft pinks, bold orange and soft yellows – there’s something for everyone.
“Even though I am still in a considerably early stage of the materials’ development, I have been facing many dilemmas on what really is sustainable throughout my journey of Flower Matter. For example, how can I create a completely natural, biodegradable material from flower waste that can live up to the market’s high expectations on its properties (extremely durable, waterproof, etc)? Ultimately, I learned that it is extremely hard to maintain all expectations. Aside from my intention to continue developing my flower materials as ecologically as possible, I also want to challenge the market’s perceptions toward innovative materials. I do think that in order to move forward to a more sustainable world, we must learn to use and to work with new materials in a different way than the highly industrialised processes we are used to now.”
– Irene Purasachit
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Please find more infos about SUSTAINABLE INNOVATIONS in our newest interview with Simon Angel, Curator of the Sustainable Innovations Forum, and in the article about the project #1 ‘Biotic’:
Interview about Pre-Creation, -Action and -Connection in the fashion industry >>
Sustainable Innovations SS23 #1: Bacteria to wear by Lionne van Deursen >>
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Bacteria to wear
"Biotic" by Studio Lionne van Deursen from Uden in the Netherlands
SUSTAINABLE INNOVATIONS Spring.Summer 23 #1
Take yeast, bacteria and sweetened green tea – this mix becomes a biodegradable, resistant and highly flexible material after a fermentation process. How it works? Microbes spin nano fibres of bacterial cellulose onto a surface. Once this layer dries, it becomes a solid material with properties very similar to leather. The thickness of the fabric can be easily adjusted during the growth process: Depending on the duration of the growth, it either becomes more unstable and thinner or firmer and thicker. Depending on the thickness, different nuances and different translucencies are created in the material. With these material properties, there are various design possibilities: For example, when wet, a texture can be applied that remains visible even when completely dry. The colour of the fabric can also be easily changed due to its high absorption capacity. Trial and error therefore pays off. Experiments with plant dyes and dyes from fruit waste have resulted in a fabric collection with bright colours, different light transmission and varied patterns.
Living organisms that produce environmentally friendly materials – this stands for the “Biotic” project of the Lionne van Deursen studio from Uden in the Netherlands dedicated to material research and product design, which was launched in 2019. Through various experiments, the team generates insights into the incredible variety of new and bio-based materials. The advantages speak for themselves: only local resources are required for the production of the material and only plant-based means are used for dyeing. This results not only in sustainable materials, but above all in a sustainable production process.
“The goal of the project is to develop sustainable products with materials that are not harmful for the environment. The project shows the possibilities of a biologically grown material. The material created by living microorganisms is biodegradable and strong while remaining a high flexibility.”
– Lionne van Deursen
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Please find more info about SUSTAINABLE INNOVATIONS in this interview with Simon Angel, curator of the Sustainable Innovations Forum:
Interview about Pre-Creation, -Action and -Connection in our industry >>
Interview about Pre-Creation, -Action and -Connection in our industry
"Pre-Action"
An interview with Simon Angel, curator of the Sustainable Innovations Forum
Our contact regarding the developments that are groundbreaking for our industry? Simon Angel – Curator of the SUSTAINABLE INNOVATIONS, which are presented every season at MUNICH FABRIC START. SUSTAINABLE INNOVATIONS offers a platform for exciting young designers who create extraordinary material developments and rethink the textile world – with these insights you are always one step ahead of the market.
Here is an overview of all SUSTAINABLE INNOVATIONS of the last seasons >>
Hey Simon, it’s good to see you. How are you?
Actually, I am really busy with the investigation of social impacts – next to the primal impact of this pandemic, we also have the secondary impact on society as a whole and the challenges to our personal selves to deal with. Right now, the personal impact of global challenges is reaching its peak. And yes, whenever the pressure becomes too much, people (and the society) have to dissociate from it in order to ‘save’ themselves or to cope with the challenges. For now, this is resulting in the creation of new realities, ignorance or even denial. We have to ask ourselves what is going on right now. And what is even real, and what’s not? What is the real real? And behind the actual challenges of Covid-19 and climate change, there might be an even bigger challenge: reliability.
This new reality we have to face – how do you suggest we find solutions?
As I just mentioned, there are two keywords that I can really relate to: reality and reliability. I am noticing that we have to unravel these words to the point that tickles our consciousness. Our moral compasses. What are we really fighting for? What are our real problems? To be clear, problems like climate change, consumer behaviour, the oversupply of clothing, Covid-19 and fake news are all big issues. For sure, it’s good and important to clean up this mess, but the solution is not only to clean it up. We have to get to the core, which is: Why did we lose connection to what is real in the first place? We have to find inspiration in that instead of just pointing out the negative aspects.
“We have to get to the core, which is: Why did we lose connection to what is real in the first place? We have to find inspiration in that instead of just pointing out the negative aspects.”
And how do you think we can do that?
I think we have to change the prefix from ‘pre’ to ‘re’… Rethink becomes pre-think. Re-cycle becomes pre-cycle.
Give this thought some time… It’s about pre-acting instead of reacting: we have to do something new to support the next generations and enable them to follow on from us. Reacting will never be inspiring. Responding to toxic things can never be fresh, inspiring, exciting or new. We cannot achieve a better future by relying on the toxic relationships that have already existed – with economics, fashion and other people.
The prefix ‘re’ in reaction or reconnection points out to what has already been there. But: What has already been there was tainted and can no longer help us. So we don’t want to react and reconnect, we want to pre-act, pre-connect, pre-do, pre-dict and pre-create. We need something pure, something fresh in order to make a change. Let’s make new pre-lationships in order to pre-connect with our future generations.
In terms of this year’s sustainable innovations, where can we find parallels to that pre-action?
We aim to focus on the real challenges, the real choices. What do we actually want?
The common goal is to be a real person in a good society with a pure relationship to nature. Our projects show how that can be done, how we can pre-act to make a change.
Motorskins offer a solution to becoming lean and active with the pre-creation of movements and support.
Studio Panorama Fabrics pre-use the substance of light with their project Sunkolor, which incorporates the substance of natural elements – this is how we can be inspired and influenced by nature.
Another example of nature’s support for better fashion is Irene Purasachit’s project Flower Matter and the order of pre-action with nature as a collaborative partner.
With projects and innovations like these, we can respond to the real questions and real solutions and face the challenges that lie ahead in the coming years. We will present these and other SUSTAINABLE INNOVATIONS to you in detail here on our M/UNIQUE blog in the coming weeks.
A Sneak Peak in our E-Magazine:
ReSOURCE Spring.Summer 23 Materials are online!
Source Sustainable Textiles & Accessories online with ReSOURCE
The MUNICH FABRIC START online sourcing platform provides a unique overview of future-oriented materials
Discover & order the latest ecologically and socially responsible materials on the ReSOURCE Page – the unique online platform for sustainable innovations and futuristic textile solutions.
Textiles and accessories are shown in the following categories:
ORGANIC / NATURAL | DENIM | GOTS | INNOVATIVE ALTERNATIVES | BIO-DEGRADABLE | POLLUTION FREE | RECYCLED | REGENERATED CELLULOSICS
UNIQUE SUPPLIER AND MATERIAL SEARCH
With ReSOURCE, we have been offering a unique sustainability platform for 12 years. Since last season, our brand new ReSOURCE Page provides information about textile innovations, the most advanced manufacturers and the most important certificates.
We are proud to offer you more than 180 new ReSOURCE materials this season – together with the samples from the Autumn.Winter 22/23 season, we are now presenting you more than 560 innovative fabrics & additionals from 87 companies in our manufacturer and material search.
ADDITIONALS: COTTY BIO
by Gunold GmbH
Categories: Biodegradable, GOTS, Organic / Natural
OEKO-TEX Standard 100 & GOTS certified yarn from controlled organic cultivation (kbA)
FABRICS: Linen-Tencel Mix
by Philea Textiles SAS
Categories: Biodegradable, Organic / Natural, Regenerated
Traceable linen or linen mix with Acetat or Tencel, 100% Made in Europe, little/no water consumption
ADDITIONALS: Corozzo Buttons
by Knopf Schäfer GmbH
Categories: GOTS, Organic / Natural
OEKO-TEX Standard 100 & GOTS certified, renewable raw material Corozzo, naturally ivory-colored
Discover materials from the following international manufacturers:
A-TEX Germany | Agentur Ronzani | Akbaslar Tekstil | Alarga Textile | Angelo Valera | Arula | Bertheas & Cie SASU | Bloomati by Carvema Têxtil | Bodo Jagdberg | Bornemann-Etiketten | Bossa | Bottonificio Piemontes | C. Tessile | c.pauli | CadicaGroup | Calik Denim Tekstil San. | CH.BREUNINGER.LEDER – Blue RenTec.one | Confetti Textile | Davaris Textiles | Dresdner Gardinen und Spitzenmanufaktur | Elastic – LE Textile | Elissa Stampa | Ercea International | Eurojersey | Evlox – Tavex | Feinjersey Fabrics | Fieratex | Frameless Asia Pacific Limited | Gunold | Henitex International | i.ma.tex | Ifansi Doumas Bros | Innova | Ipekis Mensucat Turk | J. Areal – Artigos Texteis | Klaus Korte Etiketten | Knopf Schäfer | Kuraray Europe | Lanificio Roma | Lenzing | Lukas Frankenberger | Manifattura Pezzetti | Manifutura | Medike Landes | MGLab | Michael Bobritz | Mitwill Textiles Europe | MUEHLMEIER Bodyshaping | Nastrificio de Bernardi | Naveena Denim Mills – NDM | Nesatex | Nextil Group (Dogi Spain & Ritex 2002) | Nilorn Germany | Olimpias Group srl – Labels division | Pastel by Yilmazipek | Peter Büdel | Philea Textiles | Piovese Fashion | Rabek Tekstil | Santa Lucia Manifattura Lane, GB. Studio | SCF – Société Choletaise de Fabrication | Secen Tekstil | Segovin Tekstil | Seidra Textilwerke | Sharabati Denim | Söktas Tekstil | Stitch & Trim | Sundag Heinrich | Takisada – Nagoya Co. | Tejidos Royo | Texcart | Thermore (Far East) | TMG Textiles | Tootal Fabrics | Trimalhas Knit Inspiration | Troficolor Têxteis | Turteks Tekstil Etiket | Tüsa Denim | Union 3 Fashion | Unizip | Utenos trikotazas | Valerius Texteis, Clothius Tecelagem | Varcotex | Velcorex since 1828 | Philea | Verhees Textiles | Vostex P.C. | We Nordic Label Studios | Yeniceri Tekstil | Zeynar Mensucat
ADDITIONALS: Sugar Cane Box
by A-TEX Germany GmbH
Category: Organic / Natural
Packaging box made of sugar cane, banderole FSC Mix Paper; 100% biobased source
FABRICS: Carbon Zero Lyocell
by Kadeka Tekstil
Category: Regenerated
Lenzing Technology, goal: CO2 reduction, closed loop to convert the wood pulp into cellulose fibers
ADDITIONALS: Cactus Leather Labels
by Bodo Jagdberg GmbH
Categories: Innovative Alternatives, Organic / Natural
Vegan, low water consumption, PETA Award & Green Product Award 2020. Back: 65%PES, 35%CO
LET'S ReSOURCE!
Don’t miss: The highlights of the ReSOURCE materials will be featured on social media and here on our M/UNIQUE blog in the coming weeks.
All information about the launch of the new ReSOURCE online sourcing platform and the relaunch of the physical ReSOURCE X SUSTAINABLE INNOVATIONS Area can be found in this blog article >>
Seaweed Design by Violaine Buet
SUSTAINABLE INNOVATIONS Autumn.Winter 22/23 #6
Seaweed Design® by Violaine Buet
In the beginning, there was her desire to work with a natural, living material. Violaine Buet’s choice intuitively fell on seaweed, the ancient marine plant that formed part of the landscape of her childhood in Brittany. The overarching goal of her efforts: To develop an innovative expertise on seaweed to use it in art, haute couture, scenography and decoration as well as visual merchandising and industrial manufacturing. Because: seaweed can be used in many ways. Whether weaving, dyeing, sewing, printing, embossing, tufting, engraving, braiding or pressing – the possibilities seem almost unlimited.
With her craftsmanship as a designer, Violaine Buet explores the aesthetic and technical properties of the material, develops natural dyeing methods with the support of experts in vegetable dyeing and biopolymer researchers. Using interdisciplinary methods, she combines expertise with craftsmanship, inspired by weavers, leather workers, jewelers, tailors, screen printers, gilders and master glaziers. In this way, she not only creates customised textiles from the biodegradable algae, but also walls, landscapes and installations.
“It’s like writing a story with an inevitable factor of time. With seaweed I have to take into account seasons, species, tides, weight, smell, particularities, colour-fade, hydrophilicity and decomposition, all of which change with time. It’s about everything coming together in a kind of balance.”
Violaine Buet
FABRIC.iD – Digitize Your Fabrics
FABRIC.iD LAUNCH – DIGITIZE YOUR FABRIC
Munich Fabric Start Exhibitions GmbH launches FABRIC.iD – a process for the complete digitization of fabrics. The new texture scanner xTex and the colour scanner can:scan transform textiles into virtual data. The result: digital twins that reproduce the texture and colour of the materials realistically and flawlessly.
Munich Fabric Start Exhibitions GmbH, organiser of the International Fabric Trade Show MUNICH FABRIC START and the International Denim Trade Show BLUEZONE, is now offering the digitization service FABRIC.iD to support digital processes in the first step of the textile supply chain. From structure to colour composition to rigidity – the innovative texture and colour scanners xTex and can:scan from software companies Vizoo GmbH and Caddon Printing & Imaging GmbH capture all the details of the texture and translate them into virtual data. Digitization generates a unique fabric ID which makes the textiles technically identifiable, traceable and usable. The result: digital, realistic fabrics.
The service was first presented in all facets during MUNICH FABRIC START, from 31 August – 02 September 2021 in Munich. The process expands MUNICH FABRIC START’s range of products to digital, indefinitely.
“We are incredibly proud to be able to offer FABRIC.iD at MUNICH FABRIC START – a technology that is unique in the world. From now on, our customers can send their fabrics to us or bring them directly to us to see the process – our team will then take over the scanning process and digitize the textiles, at the trade fair and throughout the year. We then make the data available for further processes. The samples can be measured without restriction on any monitor with a click of the mouse and used for sales, product presentations, design processes, trying on avatars and other areas of application – the perfect addition to the physical experience at the trade show.”
Sebastian Klinder, Managing Director Munich Fabric Start
A NEW DIGITAL DIMENSION
Until now, analogue processes between buyers and suppliers have taken a lot of time, often with the result that the exact colour, pattern and the right material cannot be found. can:scan and xTex offer a unique solution for this: they enable the exact colour detection of textiles and the creation of colour-fast digital patterns, so that interactive approval processes can be carried out online and 80% of the previous time required for analogue processes can be saved. Three-dimensional objects are scanned with the highest precision – even colour nuances that are created by light and shadow can be differentiated, measured and displayed using the new technology. The digital data renders time-consuming and costly transportation obsolete, lead times are reduced as well as costs for textile samples, with more precise results delivered – always in good time before the start of the collection.
“Everyone who works with such processes knows the effort involved in the analogue coordination between buyers and suppliers. These can drag on for a very long time and in the end a substance is released that does not actually meet the original idea, but instead comes as close as possible. In some cases, collection components are completely cancelled because a consistent result simply cannot be achieved in the allotted time. We are solving this problem with the new technology from FABRIC.iD.”
Michael Nothelfer, Managing Director of Caddon Printing & Imaging GmbH
The innovative digitization takes place in the Fabric Studio, the showroom of Munich Fabric Start Exhibitions GmbH. There the textiles are scanned – the exact texture can be recognised and transformed within a very short time. In the first step, the exact colour and pattern are determined, then the surface structure is determined. A physical material analysis is then carried out, in which the weight, rigidity, thickness, elasticity and other material properties of the textile are precisely determined. This enables an accurate simulation of the drape properties of the fabric. In addition, FABRIC.iD also understands the spectral yarn colour values of the dye works and the weaving data of industrial looms in order to generate visually correct and colour-correct textures for 3D applications.
Modifications are not made subjective, instead, validly collected data ensures a high degree of authenticity and coordination between the physical and virtual product. By using the open source U3M format, the digital material is compatible with almost every 3D-capable application. Since fabrics can differ greatly in their properties, three different categories are offered: Standard for less structured and monochrome materials, Advanced for strong structures and colours, as well as a third category, Complex, for complex patterns and very shiny materials.
“It’s the latest technology on the market with uniquely advanced methods that outcompetes any other solutions in the world. At MUNICH FABRIC START we are now making the technology accessible in our FABRIC.iD studio. A milestone for the industry – not only in the direction of digitization, but also in the direction of sustainability,”
Martin Semsch, Managing Director of Vizoo GmbH
Find more information about FABRIC.iD online at www.fabric.id/
Pre-Loved by Sarmite Polakova
SUSTAINABLE INNOVATIONS Autumn.Winter 22/23 #5
Pre-Loved by Sarmite Polakova
Turning old into new: material and product designer Sarmite Polakova along with designer Mara Maizele have created a completely new textile concept with their biotextile Pre-Loved. Pre-Loved consists of used textile waste and natural binders. With this product, the designers want to question the traditional concept of fabrics and shift the perspective to recycled mixed fibres. Shoddy is the name for the material made from unsaleable and no longer wearable garments. Cotton, polyester and wool: Shoddy consists of a variety of fibers that are combined into a single mass in the recycling process.
Another special feature is Shoddy’s excellent insulating properties. The biotextile can be used for a wide variety of purposes: in a warming winter coat, in a cosy couch or in a well-insulated house wall. Through colour separation, controlled patterning and even natural dyeing, the fabric also stands out with a unique look. What’s more, the short fibers, which are otherwise unsuitable for spinning yarns, are combined with bioplastics that strengthen the fibers from the inside out and give the material a smooth, leather-like surface. With Shoddy, a whole new kind of man-made fiber is created – Pre-Loved celebrates this new textile identity, bringing a new aesthetic and highlighting the former life of each worn garment through nuances of colour and texture.
“When textile waste meets bio-plastics and together they form a new leather-like material for future fashion applications.”
Sarmite Polakova
