New Materials
The Power of Data: Understanding How Data Tackles Challenges in the Textile Industry
The Power of Data:
Understanding How Data Tackles Challenges in the Textile Industry
by Muchaneta ten Napel
Data might feel intimidating for the fashion and textile industry, but it holds the power to unlock transparency, boost efficiency, and spark innovation. Traci Kinden, Director at TEXroad Foundation, shares her insights in an interview with Muchaneta ten Napel from Shape Innovate on how small, strategic steps and collaboration can transform data into a force for positive change.
Muchaneta: Let’s start with the big question: why does data seem so intimidating to people in the textile industry?
Traci: Data is such a small word with immense meaning, and everyone interprets it differently. If you don’t see yourself as a “numbers person,” it can feel overwhelming and even scary. A lot of the fear stems from misconceptions about what data is and how it can be used. But I’m determined to change that perspective and show that data can be accessible – and even exciting!
Muchaneta: That’s a great goal. Can you explain what TEXroad does with data to bridge these gaps?
Traci: At TEXroad, we work primarily in post-consumer textile flows. We partner with municipalities and their collection and sorting teams to gather data at every stage – collection, sorting, and processing. This data allows us to evaluate how systems are performing and measure the impact of changes over time. Additionally, we’re involved in EU-funded projects, like PESCO Up, where we develop minimum data requirements for textile recycling chains. Our goal is to make data a shared, standardized language that benefits the entire value chain.
Muchaneta: Speaking of EU-funded projects, what ensures the longevity of such initiatives after their official end?
Traci: EU-funded projects have defined start and end dates, but we strive to make their outcomes scalable and sustainable. For example, in PESCO Up, we’ve developed minimum data requirements for the recycling chain. These are shared across multiple projects to ensure consistency and long-term use. At TEXroad, we also focus on publishing non-sensitive datasets for open access, so the insights remain available to the industry even after the projects conclude.
Muchaneta: What are some of the biggest challenges you’ve faced in promoting data sharing and collaboration?
Traci: One major challenge is the lack of standardization in the industry. For instance, terms like “post-industrial waste” and “pre-consumer waste” are often used interchangeably, leading to confusion. Another hurdle is companies’ hesitancy to share data due to fears of exposing sensitive information. Building trust takes time – our sales cycles can span 12 to 24 months before concrete agreements are made.
Muchaneta: Do you think legislation could help push businesses to share and use data more effectively?
Traci: Legislation has potential, but it needs to be well-designed and adaptable to market realities. It’s crucial for businesses to align their data strategies with their priorities, whether it’s compliance with legislation or operational improvements. Taking small, strategic steps – like understanding what data you have and identifying gaps – can make navigating new policies manageable.
Muchaneta: Can you share a success story where data made a tangible impact?
Traci: Absolutely. I worked with a Dutch textile preprocessor that significantly reduced its material rejection rate – from 25–30% to under 5% – by using data to communicate clear expectations to suppliers. This kind of progress demonstrates how even small-scale data applications can lead to systemic improvements.
“At TEXroad, we aim to answer the “stupid” questions – like how much post-consumer textile waste exists – so businesses can focus on the smarter ones. By improving data quality and accessibility, we’re helping the industry take meaningful steps toward circularity and sustainability.” – Traci Kinden, TEXroad Director
Muchaneta: Transparency is a recurring theme. Why is it so important?
Traci: Transparency builds trust. For instance, many people hesitate to use textile collection bins because they don’t know where their clothing ends up. Data can illuminate these processes, giving people confidence in systems like extended producer responsibility (EPR) schemes. Transparency also enables companies to evaluate their impact and make informed decisions.
Muchaneta: What excites you most about the future of textile data?
Traci: The potential to transform the industry excites me. Better data can level the playing field for SMEs, drive innovation, and address global issues like waste mismanagement. The possibilities are endless if we can improve data quality, accessibility, and speed.
Muchaneta: Finally, what role does TEXroad play in this transformation?
Traci: At TEXroad, we aim to answer the “stupid” questions – like how much post-consumer textile waste exists – so businesses can focus on the smarter ones. By improving data quality and accessibility, we’re helping the industry take meaningful steps toward circularity and sustainability.
Follow along on TEXroad’s journey on data as a key for material use and lifecycle. Learn more on TEXroad’s mission here.
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Essence of Innovative Design & Smart Strategies
in Challenging Times
CLOSING REPORT
MUNICH FABRIC START | BLUEZONE | KEYHOUSE | THE SOURCE
The international fabric trade show MUNICH FABRIC START came to a close. Together with THE SOURCE, BLUEZONE, and KEYHOUSE, it remains one of the most important fabric shows for the European fashion industry. In a challenging market environment, the organizers once again succeeded in bringing together key decision-makers and leading industry experts in Munich on January 21 and 22, 2025. 625 international exhibitors presented around 1,200 collections, showcasing the latest fabric trends and material innovations from the leading suppliers of fabrics and trims for SPRING.SUMMER 26.
MUNICH FABRIC START & THE SOURCE: “Highly Professional Research“
FLORESCENCE: The seasonal key theme of MUNICH FABRIC START describes the phase in which plants reach their full bloom and is used as a general metaphor for the process of blossoming. It can refer to new ideas, the unfolding of creativity, or even one’s own personality.
FLORESCENCE is divided into five trend themes: Betterverse, Unorthodox, Inventing Paradise, Fragile, and Lasting, which Volker Orthmann and Katharina Majorek as o/m collective and part of the MUNICH FABRIC START trend team, have described in their trend forecast for SPRING.SUMMER 2026 as follows:
“The new trends address the courage for innovation while simultaneously celebrating the fascination with timeless beauty. They explore how artificial intelligence and new technologies can influence and improve our relationship with the body, nature, and fashion. At the same time, the associated impact on information and consumer behaviour is questioned and confronted with a critical attitude and individuality. The contrast between strength and fragility, romance and modernity forms another key focus, reflecting current moods and translating them into fashion aspects. The final concept emphasizes classic elements, which, through new interpretations, cleverly link the future and the past.”
“Two action-packed days of the trade show have come to an end, and we draw a cautiously positive conclusion. We received good feedback from both visitors and exhibitors: we are focusing on the right topics and, with our various show-in-show concepts, bringing together the key players to develop new market strategies and drive forward innovation topics.“
Sebastian Klinder, Managing Director MUNICH FABRIC START
“The market is ambivalent. There is a desire for something new, but not everyone is willing to take risks. With strong leading themes like FLORESCENCE, THE CORE, and TECHKNOWLEDGE, we aim to break through this hesitation, provide a pool of inspiration, and create impulses that encourage bold decisions.”
Frank Junker, Creative Director & Partner MUNICH FABRIC START
Ambivalent market: security mindset versus desire for new ideas
In a price-sensitive, cautious environment, consumer behaviour resembles a careful blossoming: “Customers know exactly what they want—at what price and for which product. They are conducting highly professional research. Over the two days, they have a tight schedule, leaving little time to look around. Customers are focused on safety,” summarizes Oliver Schnitzler, Founder & CEO of LOOMSEVEN agency, with collections like Almodo, Eusebio, Pontetorto, SMI, and Tessilgodi, reflecting the current situation. Everything that is easy to understand and not too extravagant works, which is also confirmed by Michael Berner, CEO of Berner and Sohn & Fabric House agency, with collections like Altinyildiz, Arché, Infinity, Lanificio Fratelli Balli, and Pontoglio: “It’s moving away from plains and becoming more decorative again. Linen blends set the tone. Jerseys are also in demand for Summer 2026, but only if they are special. Customers are uncertain about prints: What is a modern pattern? Muted, washed-out, and delicate designs are currently doing well with us. The market is very tense and extremely price-sensitive. Therefore, one has to create attractive offers.”
“We particularly liked the innovative fancy items with embroidery, eyelet embroidery and voile as well as shimmering effects on plain fabrics. Light, flowing, feminine fabrics in powder shades will also be important for summer,” says Annette Schrewe, Head of Design at Betty Barclay. Fancies were also the first step for Drykorn: “We started with the Fancies. I can already say something about that: we looked for modern florals and natures as well as graphic designs and have already found them. We have seen interesting new ideas. This is very important to us,” summarizes Angela Kunst, Head of Product and Design.
BLUEZONE: Love & Attention
The next evolution of denim: At BLUEZONE in the Zenith Area, around 70 international denim mills presented their latest developments for denim and sportswear. The key theme THE CORE focuses on trends such as Collab Now, Deconstruct & Reconstruct, Phat Flavour, Green Minimalists, and Second Hand Trends. We will delve into the fusion of tradition and technology of denim creativity and innovation. Here, a new energy of sustainability, fabric innovations, industry trends, insights into the ever-evolving denim market, and cutting-edge processes arise to shape denim’s next evolution techniques. “We live in an abundance market, which means, conversely, we must be braver than ever, instead of freezing in fear. Brands need to be desirable. They must evoke love. It’s all about love & attention. Creating Lovemarks is not just a task for brands, but for all players along the value chain,” said Tilmann Wröbel, BLUEZONE trend researcher and owner of Monsieur-T Denim Lifestyle Studio. Collaborations like ISKO x bluesign, Evlox x Lamosa, Lycra x C&A, and Sharabati x Sashiko Denim are just some of the many ways to evoke emotions. This focus on emotion was also emphasized by Hans-Peter Hiemer: “Technologies need emotion,” stressed the Style3D/Assyst CEO in his presentation. 3D and AI are the solution to translating ideas into consumer needs within a digital product cycle from design to distribution.
Join in, try out, inspire. This is what a successful collaboration looks like, and how to engage people, as demonstrated by the Denim Masterclasses of ENDRIME® X BROTHER X ISKO™ X COATS, led by denim designer and lecturer Mohsin Sajid, whose workshops were very well received.
When it comes to awakening and stirring emotions, David Shah is the one to do it. In his keynote “Quantum Fashion” about the philosophy of design, the trend forecaster and publisher created a bridge between political and economic constraints, rich and poor, old and young, as well as cultural clashes, design accidents, and highlights. He also misses the feel-good factor of fashion and warns against quantum fashion, which only speeds up the cycle even further. Innovations outpace themselves. Perhaps we should look more to the past than the future. Exnovation instead of innovation? Shah provided the fascinated audience with many thought-provoking insights.
Activator KEYHOUSE
“Good in talking, not in doing“, was David Shah’s harsh criticism of everything related to sustainability. And many market participants share this view. This makes what happened at KEYHOUSE all the more exciting: mass-market meets startups and innovators. Integrated into BLUEZONE, KEYHOUSE was not only a focal point but also an activator. Over the course of two days, exactly the right people came together here: large fashion brands with high volumes were engaged in intensive conversations with pioneers and innovators. How can textile-to-textile recycling become scalable for the mass market? Which sustainable material developments, processes, and techniques provide new alternatives? Which new technologies bring not only efficiency but also emotion? These were some of the central questions that exhibitors and visitors addressed, not only during the lectures but also at the exhibition stands.
“BLUEZONE and KEYHOUSE together in one hall is the perfect match. The synergies are amazing. From the core of BLUEZONE, the sustainable innovations spread out into the industry. We are the pearl with BLUEZONE as its shell, at the heart of the industry,” summarizes Simon Angel, the curator of the forum.
“As a denim designer, I visit BLUEZONE to look for the latest trends, fabrics, materials, and innovations. The trend areas are fantastic because they showcase how innovations like laser treatments, washes, and styles can be implemented. We always attend BLUEZONE, as the trade show is also important for networking.”
Anna Weber, Designerin Denim & Flats, Luisa Cerano (Visitor)
“We have fixed appointments with ISKO and Bossa – everything else we do spontaneously. The Kesselhaus has always been nice. Now that all the companies are gathered in one hall, it feels like there’s more going on.”
Sabine Schweneker, Design HAKA, MAC (Visitor)
“The KEYHOUSE is the best. It’s great for the customers to get inspired and see lots of examples. We are doing our best to promote textile to textile recycling and encourage brands to get ready. The big players need to get more familiar and need to think in a bigger picture. We need to get beyond capsule collections to drive the infrastructure forward.“
Hélène Smits, Head of Business Development & Partnerships, LOOPER Textile Co. (Exhibitor)
Over the course of the two days, more than 50 high-profile trend forecasters, pioneers, and well-known industry experts discussed the central topics of the industry in around 50 talks and panels across three stages. The comprehensive trade show programme was rounded off by the MUNIQUE NIGHT. Approximately 1,200 guests ended the first day of the show with drinks, snacks, networking, and music.
After two days of the trade show, the textile exhibition closed with a 4% increase in visitors compared to the last MUNICH FABRIC START. Among the brands present on-site were designers, product managers, and buyers from adidas, Aigner, A Kind of Guise, Akris, Alberto, Alpha Jeans, Angels, Anna van Toor, Armedangels, Atelier Gardeur, Baldessarini, BASF, Best Secret, Betty Barclay, Black Palms The Label, Brax, BMW, Bogner, Bugatti, Burda, C&A, Calida, Calzedonia, Carhartt, Cecil, Ceres, Cinque, Comma, Coop, Digel, Drykorn, Escada, Gerry Weber, HEAD Sport, Herrlicher, Hessnatur, Holy Fashion Group, HSE, Hugo Boss, IB Company, Joop!, Lagerfeld, Lanius, Lodenfrey, Luisa Cerano, MAC, Marc Aurel, Marc Cain, Marc O’Polo, Mey, More&More, Olymp, Oui, Pangaia, Peek & Cloppenburg, Prada, Riani, s.Oliver, Schoeller, Schumacher, Seidensticker. The visitors came from 58 countries, with the majority located in Germany, Austria, and Switzerland, as well as Italy, the Netherlands, Czech Republic, Poland, Greece, the UK, and Portugal.
MORE QUOTES FROM VISITORS:
“For our collection, we are specifically looking for new denims at BLUEZONE and have found some great innovations. At MUNICH FABRIC START, we were inspired by prints for new basic items and jacquards to elevate our standards.”
Andrea Sefl, Product Management Womenswear, Atelier Gardeur
“We’re looking for things that are innovative and will move us forward fashion-wise. The trade show here in Munich is one of the most important denim platforms for us. Here, we get a great cross-section of exhibitors we work with. MUNICH FABRIC START and BLUEZONE are important trade shows and a strong local institution.”
Michael Seiter, Head of Denim, Holy Fashion Group
“We were particularly impressed by the innovative fancy items with embroidery, eyelet stitching, voile, and shimmering effects on solids. For the summer, light, flowing, feminine qualities in powder tones will be important. We also really like vibrant royal blue. The colour worlds in the trend forums at MUNICH FABRIC START were really well executed. However, the prints are still not quite right for us. What we’ve seen so far was too light, too romantic, too playful, or childish. We need them to be clearer and more easily understandable.”
Annette Schrewe, Head of Design, Betty Barclay
“For Spring/Summer ’26, we are focusing on muted pastels and neutral tones. We are looking for new blends of viscose-Tencel-linen or viscose-linen. Many high-quality collections are not even available yet. The trade show scene is shifting more and more to Milan, which is unfortunate for us. In terms of timing in collection development, we are so early that we don’t even have the chance to go to Milan.”
Birgit Kastner, Head of Design, Marc O‘Polo
MORE QUOTES FROM EXHIBITORS:
„All natural fibres like cotton-linen with viscose work really well. For the German market, with stretch – because they are still doing tight trousers. In this case it’s cotton-linen-nylon mixes. New and innovative are shiny laminées or lurex prints on linen. We had two successful days with clients like Hugo Boss, Windsor, Cambio, Luisa Cerano, Riani, Brax, MAC and Baldessarini, just to name a few.”
Simone Bellucci, CEO, Bellucci
“Our customers value our product because it‘s from Europe. They are especially looking for organic and recycled qualities in cotton and polyester. We launched a new Beachwear and Sportswear collection. In these times, it is important to be able to offer the right qualities in combination with stock and service.”
Marc Puigderrajols Bassols, Sales Team, Tejidos Rebés
“How can materials be returned to the cycle, and how can they remain in the cycle? These are the central questions that many still lack answers to. With our rings, sliders, hooks, and buckles, we offer a solution. They are made from a sustainable bio-based material that is both compostable and recyclable. Despite this, the products are extremely durable and washable. Our modular, repairable buckles in neon yellow are a big hit, as well as our lingerie series.”
Sarah Jankowsky, COO & Co-Founder, Valupa
“We are pleased because important customers like Marc Cain, Gardeur, Peter Hahn, and the workwear provider S-Gard attended. However, it has been rather quite overall. Particularly in demand for SS 26 are silicone labels in neon pink and orange, neoprene emblems with embossing, and grosgrain straps with silicone lettering, preferably in a turquoise/blue palette.“
Heike Taubeneck, Sales Representative, Bornemann-Etiketten
“We offer a huge assortment, so picking out individual trends isn’t easy. If I have to choose, I’d highlight these three: tie-dye, purple as a strong trend color, and large-scale patterns. The first day of the trade show went very well, while the second was quieter. Overall, we’re satisfied. However, we would prefer if the trade show continued to run over three days.“
Dennis van Os, Sales Representative, Nooteboom Textiles
“The trends are diverse: Calm Minimals in shades of blue with a Riviera vibe – small-scale and easy to interpret – are a big hit. At the same time, oversized, colorful, arty prints with lots of yellow are in high demand. Stripes remain a key trend, now with a hand-painted, retro flair. We’re also showcasing animal prints in bold contrast colors as well as boho and
cowboy-inspired designs. There’s a lot of talk about florals, but the question is, which flower? Orchids? Abstract, brushed flowers with textured backgrounds? Multicolored or two-toned? Opinions on this vary quite a bit.”
Elisa Ostländer, Designerin / Inhaberin, Lica Design Studio
“Printed florals in great variety – that’s what Liberty is known for like no other. There isn’t a clear trend, but our theme ‘Floral Rebellion,’ featuring abstract floral prints from the 60s, 70s, and 80s, is gaining traction. These work best in bold colors, but also in more understated tones. Stripes remain important as well. All of our key customers were here, especially the classic shirt providers like Seidensticker and Olymp, as well as Drykorn.”
Mats Buschjost, Junior Sales Manager, Fashion & Friends für Liberty
“We launched our new project ‘Manifattura Italia – where else’ here. This season was primarily about showcasing the collection for the first time, understanding what customers need, and assessing the project’s potential in the German market. Germany remains very price-sensitive, and customers are cautious when it comes to trying something new. The concept is solid, and the German market is tough – which is exactly why we wanted to kick things off together with MUNICH FABRIC START.”
Luca Balugani, Owner, Bureau 31 für Manifattura Italia – where else
“The market is very tense and extremely price-sensitive, so you need to create tailored offers. For instance, we’ve included the Turkish manufacturer Palmiye for the third season now – highly innovative and super successful. We are incredibly satisfied with MUNICH FABRIC START – I can honestly say that everyone was here.”
Michael Berner, CEO, Agentur Berner und Sohn & Fabric House
THE NEXT TRADE SHOW DATES FOR AUTUMN.WINTER 26/27
MUNICH FABRIC START, BLUEZONE, KEYHOUSE & THE SOURCE
02 + 03 SEPTMEBR 2025
MOC & Zenith Area Munich
Discover more industry-changing innovations at our upcoming trade shows:
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ADDITIONALS NEWS
TRIMCO GROUP
An invitation to storytelling through trims
The latest developments for buttons, ribbons, decorative stones, closures, linings, lace, embroidery, interlinings as well as labeling and branding solutions will be presented by around 150 leading international ingredients and accessories suppliers in the ADDITIONALS Area at MUNICH FABRIC START. Explore some of the novelties here in our ADDITIONALS blog posts:
In a world where garments must last longer and brands must encourage mindful purchasing, the fashion industry is being called to help change how we create and consume fashion. While brands are encouraged to find solutions that help extend a garment’s lifespan and promote better consumer habits, Trimco Group aims to support them with options that can contribute to this shift, with the help of QR code labels for transparency, better recycling, trims that can be part of repair initiatives, such as badges, or monomaterial trims for easier waste sorting.
Exhibiting this January at Munich Fabric Start, at booth E2, in Hall 1, Trimco Group is introducing its new trims and packaging collection – RATIO – designed to reimagine what’s possible for Spring/Summer 2026, combining bold creativity with technical expertise. This collection explores innovative materials and techniques as transformative elements that uplift both design and functionality.
Materials That Matter: A Holistic Approach
Trimco Group’s RATIO collection again focuses on innovative materials that align with a forward-thinking vision. Monomaterial items are designed for simplified disposal processes and, together with recycled materials have been a cornerstone of Trimco Group’s collection for the past 3 years. For example, FSC-certified hangtags and strings emphasize functionality and easier waste sorting.
Natural fibers such as Raddis Cotton’s regenerative cotton, wool, or Algae Ink, just to name a few, redefine what’s possible. By combining materials like paper with wool or cotton, we’ve also created textures that intrigue and delight the senses—functional yet strikingly unique.
Design Manager at Trimco Group, Morten Frost Madsen shares, “Materials shape the story of a collection uplifted by extraordinary designs. RATIO challenges conventions by using recycled, natural, and innovative fibers in unexpected ways, ensuring every detail feels intentional and inspiring. We are an internal team of +15 designers and material experts working on the three collections we launch yearly. We have learned a lot about materials in the past years and have seen a boom in innovative options. Our collections are a playground for creativity, where we try to bring the best of materials, trends, and designs to ready-to-use ideas for textile brands“ adds Morten.
The Power of Trims: Identity. Branding. Uniqueness.
“Trims and packaging are branding items we shouldn’t take for granted – they are a signature that transforms the ordinary into the unforgettable,” adds Morten. By experimenting with shapes, textures, and graphic styles, we aim to highlight their potential as powerful branding tools.
From icon-inspired forms to intricate embroideries, every piece of trim was designed to tell a story. Natural materials like wool and cotton add depth, while subtle details enhance the garment’s overall design rather than dominate it.
The items in RATIO go beyond conventional design boundaries. Unconventional shapes, distorted angles, and playful illustrations challenge expectations, offering designers and brands limitless opportunities for customization. Techniques like layering, embroidery, and recycled fibers create a tactile experience that enriches the aesthetic and storytelling value of garments.
The general direction of the RATIO collection reflects a broader trend: the desire to communicate identity in a way that feels authentic and thoughtful. Whether bold and vibrant or subtle and understated, these elements strike the perfect balance between standing out and blending seamlessly into the design.
“Materials shape the story of a collection uplifted by extraordinary designs. RATIO challenges conventions by using recycled, natural, and innovative fibers in unexpected ways, ensuring every detail feels intentional and inspiring. We are an internal team of +15 designers and material experts working on the three collections we launch yearly. We have learned a lot about materials in the past years and have seen a boom in innovative options. Our collections are a playground for creativity, where we try to bring the best of materials, trends, and designs to ready-to-use ideas for textile brands.“
Visual Trends: Redefining Aesthetics
Design in RATIO reflects the complexities of modern life. Blur and distortion play with clarity, offering a more diverse and intriguing visual experience. Gradients and bold contrasts bring vibrancy, while retro-inspired aesthetics balance nostalgia with innovation.
Typography is also a key player, with serif fonts marking their comeback due to their timeless elegance. Clean lines, geometric patterns, and unconventional illustrations add a contemporary edge, while the rise of “Minimalist Maximalism”—a combination of simplicity and boldness—cements itself as a defining trend that has been lingering for a while now and will probably not disappear too soon.
Color Stories: Energizing the Palette
The color palette in RATIO captures the essence of Spring/Summer 2026. From bleached tones and soft half-hues to the electrifying energy of dazzling pinks, the collection embraces fresh and sophisticated contrasts.
Earth-inspired shades like warm beige and rich browns step into new territory, moving beyond their outdoor origins to bring a sense of luxury. Meanwhile, urban greens offer a gender-fluid appeal, and the evolving spectrum of grays adds versatility. These colors are thoughtfully combined with linear patterns, frames, and unexpected distortions, offering a fresh perspective on modern design.
Packaging Inspiration: Bold, Functional, and Engaging
The RATIO packaging collection complements the trims with bold, minimalist designs that balance aesthetics and functionality. Featuring clean sans-serif typography and dynamic asymmetrical layouts, the packaging commands attention with its vibrant red foundation, softened by muted secondary tones for a contemporary and versatile appeal.
Functionality is, of course, the main goal, with interactive elements like QR codes and monomaterial designs. While handles and ribbons are made using recycled or virgin cotton or polyester, Trimco brings paper to these packaging details as well —ensuring cohesive and easily recyclable solutions. This thoughtful approach blends bold visuals with practical features, offering a modern packaging experience that resonates with today’s style-conscious audience and brands.
VISIT TRIMCO GROUP AT H1 | E 02
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SPRING.SUMMER 26 FABRIC HIGHLIGHTS & MATERIAL NOVELTIES – PART V
FABRIC HIGHLIGHTS & MATERIAL NOVELTIES FOR SPRING.SUMMER 26 – PART II
At the upcoming MUNICH FABRIC START, around 500 international suppliers will present their material innovations for all apparel segments in the FABRICS Area. The complete product portfolio of fashionable woven and knitted fabrics made of wool, cotton, silk, blends and functional fibres will be presented here. For the Spring.Summer 26 season, we present some new products and highlights from international producers in our FABRICS blog posts:
WE SHOW TEXTILE
Founded in 2006 in Guangzhou, China, We Show Textile specializes in embroidery innovation by blending traditional hand-embroidery techniques with modern smart embroidery technology. Using high-quality threads and fabrics, they create unique, high-end embroidered products rich in cultural and artistic value.
Why Choose Them? A Perfect Blend of Tradition, Innovation, and Personalization
When it comes to embroidery, this company stands out for its exceptional combination of expertise, cutting-edge technology, and a deep commitment to sustainability and creativity. Here’s what sets them apart:
Expertise in Hand-Embroidery
At the heart of their work lies a passion for preserving the rich heritage of traditional embroidery techniques while giving them a modern twist. Their dedicated team of artisans crafts artistic, detailed, and culturally inspired designs that elevate each piece into a work of art.
Advanced Smart Embroidery Technology
Blending tradition with innovation, the company uses state-of-the-art embroidery technology to offer a wide array of techniques, including flat, 3D, sequin, and bead embroidery. This advanced, automated process ensures high efficiency and consistent quality, while also prioritizing environmentally friendly methods and sustainable materials.
Custom Pattern Design
Catering to diverse client needs, they specialize in creating original designs that reflect market trends and individual preferences. Their use of digital technology guarantees precision, vibrant colors, and flawless results. By combining traditional craftsmanship with modern aesthetics, they produce unique, meaningful designs that resonate with today’s audience. This unique mix of artistry, innovation, and customer-centric design makes them the ideal partner for anyone seeking exceptional embroidery solutions.
Materials and Sustainability
They use premium threads (silk, gold, eco-friendly polyester) and diverse fabrics (natural and high-tech), all meeting international quality and environmental standards.
Their philosophy,“Drawing art with threads, conveying emotions through embroidery,” ensures every product is not just visually stunning but also deeply meaningful.
China – H3 | E 19
“Our philosophy,’Drawing art with threads, conveying emotions through embroidery’ ensures every product is not just visually stunning but also deeply meaningful.”
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THE SOURCE – PRIME MANUFACTURING SOLUTIONS
IN HALL 2 AT MUNICH FABRIC START
Some 30 selected clothing manufacturers present their products and services around the latest sourcing services and apparel manufacturing at THE SOURCE studio in Hall 2. The range of services of the internationally experienced manufacturing companies include cut-make-trim (CMT) solutions as well as high-end production.Furthermore, services such as A-Z process solutions including procurement processes are offered – a suitable addition to the diverse portfolio of MUNICH FABRIC START.
As part of the MUNICH FABRIC START, THE SOURCE is a one-stop sourcing platform and the stage to all-in-one providers to present turnkey, end-to-end solutions from PLV to white-label for brands, labels and retail.
Companies from some of the most important manufacturing countries such as Italy, Portugal, Greece or Turkey among others will be on site to present a business-relevant mix of services. Discover THE SOURCE in Hall 2.
UNION 3 FASHION
Union 3 Fashion Spring/Summer Collection: A Fusion of Textures and Elegance
Textures and shiny details have a central part in the upcoming Spring-Summer Collection of Union 3 Fashion. Neutral sand mélange and off-white jacquards set a sophisticated tone, while soft yarn jersey pieces bring effortless comfort. In addition, shiny fabrics with metallic details add a touch of glamour in this season’s womenswear styles.
This collection embraces a feminine edge with intricate pointelle and structured fabrics, as well as a variety of pleated techniques. A combination of two-tone and more vivid graphic prints, complemented by shiny print techniques and exquisite embroidery, come to complete the new styles of Union 3 Fashion’s collection.
Union 3’s Spring.Summer line is a harmonious blend of elegance and eye-catching details, making it the perfect choice for those who seek versatile yet distinctive styles this season.
Greece – H2 | D 02
TOP TRENDS LDA
Top Trends, with its research and development department, will present new trends in design and raw materials for Spring/Summer 2026 at Munich Fabric Start.
They will highlight the new men’s swimwear line with recycled fabrics and innovative fit, aimed at the high-end luxury market.
Products will also be presented (polos, T-shirts, jackets, trousers, shorts, shirts, etc…) using natural and sustainable fibres such as linen, mercerised PG cotton, Lenzing’s TENCEL™Lyocell, recycled cotton, recycled polyester, among others.
With a vision of quality aimed at high-end and luxury brands, they offer a full service product where all the associated services become a great added value.
Portugal – H2 | D 00
COTTON HOUSE
Cotton House SA remains at the forefront of premium textile production, offering flexibility and efficiency through operations in three strategic regions: North Macedonia /Bulgaria, Turkey and Bangladesh.
With a focus on innovation and quality, Cotton House SA consistently meets the evolving demands of its global clientele. By combining speed, reliability, and advanced technology, the company upholds its position as a trusted leader among garment producers for the international markets.
Greece – H2 | D 06
CHECK THE FULL EXHIBITOR LIST AT THE SOURCE HERE TO FIND YOUR MANUFACTURING PARTNER:
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ADDITIONALS NEWS
Spring Summer 2026 at Bornemann-Etiketten:
Celebrating 20 Years of high class additionals
The latest developments for buttons, ribbons, decorative stones, closures, linings, lace, embroidery, interlinings as well as labeling and branding solutions will be presented by around 150 leading international ingredients and accessories suppliers in the ADDITIONALS Area at MUNICH FABRIC START. Explore some of the novelties here in our ADDITIONALS blog posts:
The season SS2026 will be colorful, classy and natural at Bornemann – their new label collection reflects the latest trends with a passion for details: their innovative label programs offer designers and brands the opportunity not only to individualize their collections, but also to set trends. The labels combine state-of-the-art materials and surprising designs with the proven quality you have come to expect from us. There are different options for all kinds of applications and sectors:
Playful, optimistic, full of energy: These labels from Bornemann-Etiketten celebrate the lightness of the SS2026 season. With vibrant colors, contrasting patterns and unexpected material combinations, they inspire creative designs. Whether haptic or visual – it’s all about contrasts, which in combination provide impulses and demand new ways of thinking. Perfect for brands that want to make bold statements!
Future meets classic elegance: the labels of this theme combine high-quality basics with a modern, slightly futuristic twist. They are minimalist but luxurious and set subtle yet striking accents. Ideal for brands that are characterized by timeless aesthetics and at the same time want to keep their finger on the pulse of the times.
Inspired by the beauty and diversity of nature, these labels stand for organic shapes, natural textures and sustainable materials. They embody the desire for a deep connection to nature and are ideal for denim and outdoor clothing or any collection that puts a focus on authenticity.
“Whether haptic or visual – it’s all about contrasts, which in combination provide impulses and demand new ways of thinking.
Perfect for brands that want to make bold statements!”
Digitalization for maximum efficiency
Bornemann offers inspiring labels and pioneers customized digital solutions that optimize the entire workflow. From the initial design idea to product development and series production, our digital tools accelerate and simplify every step. This not only saves time and costs, but also enables seamless collaboration – ideal for global apparel brands.
Your partner for high-quality branding
When it comes to digitalization and quality in the textile sector, they are your first port of call. Their aim is to offer you innovative options for outstanding branding that will take your collections to a new level. With their labels and digital solutions, you can create a strong brand presence that inspires customers worldwide.
20 years of excellence and partnership
In 2025 Bornemann-Etiketten celebrate their 20th anniversary! Since 2005, they have been a competent, service-oriented partner for global brands from various sectors of the textile industry. It is their mission to find solutions for the trend-oriented fashion industry as well as for functional and performance-focused sectors such as the workwear industry. Always in close cooperation with their customers and at eye level. They look forward to continuing this excellent collaboration in the years to come.
VISIT BORNEMANN ETIKETTEN AT H1 | B 20
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Kantamanto Social Club
Kantamanto Social Club – Pioneering Regenerative Fashion with
Daan Sonnemans & Anabel Poh
SUSTAINABLE INNOVATIONS
A revolution is unfolding.
Kantamanto Social Club was born from inspiration brought about by the vibrant, bustling markets of Kantamanto, Ghana. Co-founders Anabel Poh and Daan Sonnemans’ objective was to transform the global fashion landscape through amplifying the practices of communities that the fashion and textile industry often overlook. The club’s initiative goes beyond mere sustainability – it’s about reshaping power dynamics in an industry that usually doesn’t empower marginalised communities.
Kantamanto Social Club’s Vision of a Circular Fashion Future
The mission of Kantamanto Social Club is clear: to empower communities in the Global South. It aims to shine a spotlight on communities, particularly those whose circular and regenerative practices have been undervalued for too long. “The core of this project centres on the inherently sustainable communities of the Global South, which have practiced regenerative methods for generations,” explained Daan. Rather than viewing these communities as recipients of Western “aid” or “guidance,” the Social Club positions them as leaders in sustainable fashion.
By focusing on a philosophy that brings traditionally marginalised voices into global discussions on environmental and economic sustainability, the club has taken on the responsibility to empower artisans who are transforming discarded textiles from the Global North into high-value fashion items. They are doing this by providing a platform that showcases the artisan’s potential, creativity, resilience and ability to demonstrate how sustainable practices can counteract global consumption excesses.
Daan poses a crucial question, “How, at the brink of collapse, can we turn the tide and transition the fashion industry towards a regenerative model?” Through these efforts, Sonnemans challenges industry norms, advocating for systemic change that prioritises ecological and social integrity.
Creating Bridges Through Art and Advocacy
Forging tangible connections between local artisans and the global stage, Kantamanto Social Club’s voice can be heard through exhibitions, storytelling, and collaborative research initiatives. These platforms not only underscore the creative potential of upcycled fashion but also offer critical commentary on the prevailing norms of production and consumption in the fashion industry. This approach sets the stage for a deeper exploration into sustainable practices.
Building on this foundation, a significant aspect of the club’s work will focus on sustainability education as a next step. Through workshops, the club will inspire and train the next generation of designers, embedding sustainable thinking right from the start of their careers. Furthermore, the club will facilitate cultural exchanges that elevate the work of Kantamanto’s creatives, giving them the international recognition they deserve. Daan poses a crucial question, “How, at the brink of collapse, can we turn the tide and transition the fashion industry towards a regenerative model?” Through these efforts, Sonnemans challenges industry norms, advocating for systemic change that prioritises ecological and social integrity.
Beyond sparking a creative resurgence, the Kantamanto Social Club actively engages in policy advocacy, influencing global strategies on waste management and sustainable practices. Their initiatives serve as a call to action, urging the international community to reconsider the values and interactions that define the fashion industry. This holistic approach ensures that the impact of their advocacy resonates beyond artistic circles, reaching into the realms of global policy and practical change.
Engage with Kantamanto Social Club
Whether you’re a designer, policy-maker, or curious observer, the Kantamanto Social Club invites you to reimagine the fashion industry—one that’s built on equity, regeneration, and genuine respect for the planet and its people. So if you are looking to dive deeper into the transformative projects of the Kantamanto Social Club or to engage with their ongoing initiatives, you can find out more via their website.
A statement on recent events
“On the night of January 1, 2025, and into the morning of the 2nd, a devastating fire swept through the Kantamanto Market, destroying as many as two-thirds of it. Over 10,000 people—tailors, retailers, kayayei, and artisans—have been affected, losing their businesses and livelihoods.
To us Kantamanto is more than a market—it has become a global symbol of resilience, transforming unwanted textiles from across the world into something meaningful. It stands as a testament to sustainable fashion and the incredible creativity of its community.
Now is the time to stand in solidarity with Kantamanto. Together, we must support this community as they rebuild. We are launching a targeted fundraising campaign for the upcyclers we work with directly. But for now, any and all support is urgently needed and can be provided by donating to The OR Foundation’s fire relief fund, which is being used to directly aid relief efforts. Support here”
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Interview with Simon Angel - Guest article by Muchaneta ten Napel
Clothes Encounters and Warmly Related Relevance
With “FLORECSENCE” as the guiding principle of MUNICH FABRIC START and TECHKNOWLEDGE for the KEYHOUSE, Simon Angel, curator of Sustainable Innovations, highlights how the projects he has chosen can redefine what’s next in fashion by challenging us to think beyond quick fixes and instead embrace a deeper, more holistic approach to sustainability.
Simon, how did you approach curating this season’s Sustainable Innovations exhibit at Munich Fabric Start?
Simon Angel: Well, I wanted the projects included in the Sustainable Innovations exhibit to signal a major shift in the textile industry. The projects I selected this season challenge us to rethink everything from raw materials to end products and production processes, whilst emphasising on sustainability as an ongoing dialogue; it sparks a broader conversation about the future of our industry, urging everyone in the textile community to consider more responsible and imaginative approaches.
Could you elaborate on how year’s philosophy manifests in the exhibited projects?
Simon Angel: Certainly! This year’s philosophy is deeply embedded in each project I’ve selected for the exhibit, particularly emphasising sustainable practices that integrate seamlessly with innovative design. Take Shushanik Droshakiryan’s “PSYCHEDELIC TEXTILES.” Her work pushes the boundaries by harnessing techniques inspired by microbiology and chemistry. Her work serves as a powerful call to action for the industry to rethink the way materials are sourced, valued, and ultimately returned to the environment. By focusing on the end-of-life phase of materials, she underscores the necessity of designing within a circular economy framework, envisioning a future where environmental stewardship and fashion innovation are seamlessly integrated.
Milou – photo credit Lieke Bielderman
Studio Nicky Vollebregt’s “Pollia,” “HIGHLIGHT,” and “Uncover” projects are also featured. How do they fit into this narrative?
Simon Angel: Studio Nicky Vollebregt’s projects demonstrate a holistic approach to textile innovation by exploring colour reflection, material transparency, and transformative finishing techniques. The studio isn’t just making visually striking fabrics; it’s probing our concepts of light, colour, and texture, and questioning how small interventions in the material creation process can have far-reaching environmental and usability impacts. It’s a reminder that sustainability and aesthetic appeal aren’t mutually exclusive.
Can you discuss how Daan Sonnemans’s & Anabel Poh’s”Kantamanto Social Club” enhances the themes of this exhibit?
Simon Angel: Daan Sonnemans and Anabel Poh address a critical aspect of sustainability: the human and social dimension. With “Katamanto Social Club,” he focuses on community engagement and ethical labour practices, integrating cultural heritage with environmentally responsible production. I feel that this project goes beyond material innovation because it reminds us that sustainability isn’t just about new materials or recycling; its core is about the people and communities behind the products. In a way you can call his this project a sustainable process-intervention.
Can you tell us about Milou Voorwinden’s “Explorations in 3D weaving”?
Simon Angel: Milou’s work is an excellent example of how reimagining a fundamental technique can open up entirely new possibilities. In “Explorations in 3D weaving,” she looks at the loom not just as a tool for flat textiles but as a platform for sculptural, structural forms. By combining different fibres and experimenting with density, she creates fabrics with varying properties – some rigid, some flexible. These explorations challenge the binary thinking of “fabric vs. structure,” showing how textiles can be engineered in ways that minimise material waste while expanding design potential. Her design-principle brings a shift in the design-pattern-production cycle.
Shushanik
Oscar
Nicky – Pollia
credit Patty van den Elshout i.o.v. TextielMuseum
Wool matters” by Beatriz Isca is another project drawing attention. How does it fit into this year’s theme?
Simon Angel: Beatriz’s “Wool matters” project underscores the value of a raw material we often take for granted. By spotlighting the processes of sourcing, cleaning, and transforming wool, she shows how something as ancient as wool can be reinterpreted for modern, eco-conscious lifestyles. She not only showcases wool’s versatility; she reveals the stories, heritage, and communities behind the fibre. I am hopeful that her perspective will encourage us to consider the entire life cycle of our materials – and the people involved – before we even start to design.
Lastly, Oscar Wentz’s AFTERLIFE “REWORK AND RETHINK YOUR OWN TRASH” project stands out. Can you shed some light on this?
Simon Angel: Oscar’s AFTERLIFE project is a bold statement on waste and consumer culture. Through upcycling discarded clothes and materials, he creates street-style garments that demonstrate how a simple change in perspective can spark a larger conversation about responsibility and resource use. It’s the perfect example of how a hands-on, interventionist approach can galvanise people to embrace more circular practices.
Beatriz – Wool matters
How do you see these innovations in the exhibition influencing the future of the textile industry?
Simon Angel: These projects collectively represent a significant shift to question what’s possible and to look at sustainability as an ongoing dialogue rather than a final box to tick. Each project showcased in the Sustainable Innovation exhibit challenges existing paradigms, pushing us closer to a world where textiles are created with both people and the planet in mind.
Thank you for sharing these insights, Simon. It’s clear that this season’s Sustainable Innovation exhibit goes beyond showcasing new materials – it’s about sparking a broader conversation on the future of our industry.
Simon Angel: My pleasure. I’m thrilled for everyone to experience these projects and be part of the conversation. I believe that it is through collective curiosity and willingness to experiment that we’ll drive real, lasting sustainable innovation.
We look forward to seeing the exhibit and witnessing how these pioneering ideas will shape what’s next in textile design.
Simon Angel: Thank you. Don’t forget to visit us at the Keyhouse in Hall 7 – we can’t wait to show you how these interventions are rewriting the future of fashion and textiles.
About the author
Founding editor-in-chief of Shape Innovate, Muchaneta has worked in the fashion industry for over 14 years. She is currently one of the leading influencers speaking and writing about the merger of fashion with technology and wearable technology.
Muchaneta ten Napel | m@shapeinnovate.com
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Welcome to Cartoon - Wear your Optimism!
Welcome to Cartoon– your invitation to a life full of courage, joie de vivre and self-realisation! Our fashion is not just clothes. It is a breeze of fresh, positive energy. ‘Wear your optimism’ is more than a motto – it’s a way of life. It means starting every day with a smile, always looking on the bright side and making the most of every situation. Our fashion is designed to help you live this attitude every day. It should accompany you, encourage you to pursue your dreams and tackle your goals with passion. Above all, it’s about celebrating life, being bold and wrapping yourself in positive energy and self-confidence every day. This is where fashion and optimism come together to create something unique. Welcome to the world of Cartoon, where you not only look good, but feel good too.
Life through rose-coloured glasses – everything looks better with them
Cartoon is more than just a label – it is an invitation to look at life through colourful glasses. In a world that is often far too serious, Cartoon brings a playful lightness and reminds us that we decide for ourselves how we see the day. Our fashion is designed to inspire you to go through life with a smile. The pink and red glasses are more than just an accessory – they are a window to a more positive outlook on life. They invite you to go through everyday life with a smile and discover new colours, unique patterns and high-quality materials that enrich not only your wardrobe but also your world. Put on your rose-coloured glasses and experience every moment more intensely. Every detail gains importance. With Cartoon, everything becomes a little more colourful, a little lighter and, above all, a little more beautiful. Start celebrating the small and big moments in life.
Rosy times ahead
At Cartoon, you’ll find clothing that flexibly adapts to your lifestyle. Our fashion is easy and uncomplicated to combine. At the same time, it always emphasises your personality and adds an individual touch. Our fashion is designed to help you express your optimism. It reminds you how important it is to believe in yourself and to recognise and use your own strengths. Cartoon lets your personality shine and gives other people a piece of your positive energy. It’s not just about looking good – it’s about putting your optimism out into the world!
Spring is in the air – where should the journey take you?
Our designs are inspired worldwide – by five unique fashion metropolises that couldn’t be more different, but each have a distinctive influence on the fashion world in their own way.
French dressing
Ibiza boho
French dressing: the epitome of nonchalance and elegance. Classic denim jeans, a white slogan shirt and a blouson that transforms into a cape. The look is rounded off with a colourful striped jumper as a belt replacement. Très chic!
Smart Brit chic look: always a good idea! A trench coat and an elegant hat – you’ll always look the part. After all, you never know if you’ll bump into a lord. This look exudes classic British elegance.
Cool Italian extravagance: colours, colours, colours! Italian charm meets unexpected breaks in style. Combine bright colours with extravagant details – and don’t forget to incorporate love and passion into your outfits. The perfect look for an evening that’s as lively as the Italian Riviera!
Enchanting Ibiza boho flair: carefree freedom, relaxed cuts and a laid-back colour palette. Ibiza is the island of freedom, and that’s exactly what this style reflects: uncomplicated, casual and yet absolutely stylish.
A romantic dose of the Orient: inspired by the magical and mysterious expanses of the Orient, we bring together details and patterns that are both classic and mystical.
“Our fashion is designed to inspire you to go through life with a smile. The pink and red glasses are more than just an accessory – they are a window to a more positive outlook on life. They invite you to go through everyday life with a smile and discover new colours, unique patterns and high-quality materials that enrich not only your wardrobe but also your world.”
The new mix and match concept
Our fashion is anything but monotonous – it thrives on the freedom to combine everything. The ability to combine is very important to us. With the new mix and match concept, you can mix and match across all styles and patterns. Bright colour codes meet a harmonious palette of neutrals, creating an exciting balance that offers endless combination possibilities. Everything can, nothing has to.
The world is your catwalk – so wear your optimism, creativity and courage proudly. Because life is far too beautiful to experience it in grey tones. So come on, let’s make the world a little more colourful together!
Brit chic look
Orient
Italo
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KEYHOUSE NEWS - PaperTale
KEYHOUSE – The Innovation Hub For Tomorrow's Fashion
Future Proof Compliance x Smarter Communication
Discover how PaperTale bridges compliance and communication, delivering real-time transparency for ethical, circular brands.
In the atmospheric industrial charm of KEYHOUSE, Hall 7, progressive suppliers and global players from cross-industry sectors will be showcasing their latest new developments and innovations. On over 1,000 square metres, you will find trend-setting future fabrics and new process technologies – be it in terms of sustainability, circular economy, digitalisation & AI, traceability, textile dyeing or finishing. Staged as an interactive think tank, future-oriented show cases will be in the spotlight alongside sustainable innovations.
KEYHOUSE is also home to the main lecture forum of MUNICH FABRIC START with exclusive keynotes, panel discussions, trend presentations, Q&A sessions & expert talks by international industry insiders. Be inspired by the wide range of events at KEYHOUSE.
PAPERTALE TECHNOLOGIES
The textile and fashion industry stands on the brink of transformation. For years, it has faced criticism for lacking transparency, perpetuating greenwashing, and enabling exploitative practices. Today, the sector confronts a new era of accountability, driven by regulations like the Digital Product Passport (DPP), Forced Labour Regulation, Extended Producers Responsibility and the Green Claims Directive. These regulations seek to mend a broken system, yet they also challenge brands and suppliers to navigate the complexities of compliance.
PaperTale offers a revolutionary solution that allows us to adapt and excel in this new reality. We are excited to announce our presence at Munich Fabric Start, where we invite you to explore how PaperTale is shaping the future of fashion.
How PaperTale Makes a Difference
PaperTale is more than a technology platform; it’s a commitment to sustainability, fairness, and innovation. By harnessing blockchain and AI technologies, PaperTale creates a transparent ecosystem that builds trust while ensuring compliance. Our tools empower everyone in the supply chain—factory workers, suppliers, brands, and consumers—to collaborate in creating a more responsible fashion industry.
PaperTale’s Key Features:
Verified Data and Transparency: PaperTale uses a two-point verification system to ensure the accuracy and integrity of supply chain data. This includes creating digital twins of physical products, enabling brands to trace every step from raw materials to the end of life.
Empowering Social Sustainability: Through Social App (SAPP), PaperTale champions worker welfare by providing access to essential information about wages, contracts, and workplace safety, while adhering to GDPR standards. This approach promotes fairness and helps factories proactively address risks while ensuring compliance with regulations.
Smarter Communication and Consumer Engagement: The Consumer App (CAPP 3.0) offers unprecedented visibility for consumers, enabling them to explore the journey of their products. Additionally, PaperTale Network (PTN2.0) generates detailed reports tailored to communicate with regulatory bodies. This dual capability—educating consumers and meeting compliance demands—makes communication smarter by addressing diverse stakeholder needs efficiently and effectively.
Circularity and Future-Proof Compliance: PaperTale supports brands in achieving traceability in the take-back loop, facilitating second-hand market growth and conscious consumption. Additionally, its integrated tools—built on a value-based approach—address systemic challenges like forced labour and greenwashing, ensuring compliance that adapts to evolving regulations.
Turning Challenges Into Opportunities
The wave of new regulations demands unified solutions. Fragmented compliance systems create inefficiencies, particularly for Tier 1 suppliers working with multiple brands. PaperTale’s platform eliminates these inefficiencies by integrating diverse systems and automating data sharing. This ensures consistent, accurate reporting while saving time and resources.
Unlike platforms that rely on self-reported data, PaperTale gathers verified primary data directly from the supply chain. This approach addresses the root causes of issues like greenwashing and forced labour, delivering robust solutions that benefit every stakeholder.
Discover PaperTale at Munich Fabric Start
As one of Europe’s premier trade fairs for fashion and textile professionals, Munich Fabric Start offers a unique space to connect, innovate, and collaborate. At our booth, you’ll experience how PaperTale’s solutions empower brands to achieve transparency, embrace circular practices, and navigate the complexities of today’s regulatory environment. Specifically, you can scan a product using the PaperTale Consumer App and explore its entire lifecycle (DPP-ready set of data) and see the people who created it; hear more about our pilot project with Rifo for take-back loop and see how we enable circularity for brands; or find out how our platform integrates diverse systems to streamline reporting, save time, and reduce errors.
Whether you’re exploring product traceability, seeking to streamline compliance, or driving sustainability, PaperTale provides the tools to stay ahead in a rapidly evolving industry.
Join Us in Shaping the Future of Fashion
The stakes for the fashion industry have never been higher. Transparency has become the foundation for trust and innovation, and PaperTale is here to transform compliance into a pathway for leadership and growth.
Visit us at Munich Fabric Start in Hall 7 to see how we can work together to build a sustainable, accountable, and thriving fashion industry. Let’s reshape the future of fashion, one transparent thread at a time.
Sweden – H7 KH | K 24
Visit the KEYHOUSE AT H7 and find the highlights for the upcoming season.
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