Future Trends

New Fabric Collection of BLOOMATI by Carvema

FABRICS NEWS

New Collection by BLOOMATI by Carvema

15. December 2024

The new Spring/Summer 2026 Collection: The Future of Fabric Innovation

As they prepare for the Spring/Summer 2026 season, BLOOMATI is unveiling a fabric collection that represents the intersection of nature, technology, and sustainability. Their approach to SS26 is driven by the desire to create fabrics that do not only showcase aesthetic beauty but also offer advanced functionality and environmental responsibility. This collection is designed with a commitment to both performance and style, catering to the evolving needs of modern fashion.

Sustainability – A Central Focus:
The fashion industry is facing immense pressure to evolve in ways that minimize its environmental impact. We The fashion industry is facing immense pressure to evolve in ways that minimize its environmental impact. They are proud to announce several new materials in their SS26 collection that prioritize sustainability. From biodegradable fibers that break down naturally to fabrics made from organic and recycled materials, they are making conscious choices that align with their core values.

These advancements ensure that the fabrics in their SS26 collection are not only beautiful but also crafted with the planet’s future in mind.

Innovative Materials and Textures:

Innovation is at the heart of their collection. They have explored new textile technologies that bring futuristic properties to fabrics without compromising comfort. Breathable, moisture-wicking materials, and textiles that offer UV protection are just a few of the functional innovations featured in this season’s line-up.

In addition to these technological advances, they have introduced fabrics that offer luxurious tactile qualities. Whether it’s the soft and supple texture of biodegradable silk or the durable yet elegant finish of recycled materials, each piece of fabric is designed to enhance the wearer’s experience.

Nature-inspired Themes and Colours:
The colors and prints for SS26 are inspired by the natural world. Earthy tones, such as soft greens, beige, and terracotta, are combined with vibrant floral prints and metallic accents. This season’s color palette celebrates the natural beauty of our environment, with hues that evoke a sense of tranquility and elegance.

These colors are complemented by subtle, nature-inspired patterns that capture the essence of spring and summer.

Versatility and Comfort:
The modern consumer is looking for fabrics that not only look great but also feel comfortable and offer versatility. In SS26, they have created textiles that can easily transition from day to night, casual to formal. Whether it’s a lightweight fabric perfect for beachwear or a luxurious material ideal for eveningwear, the versatility of their fabrics means that they can be styled in a variety of ways, meeting the needs of both fashion designers and end consumers alike.

“Comfort is key to this collection, with designs that are easy to wear and care for. Fabrics are lightweight, breathable, and designed to hold their form, making them ideal for the warmer months. This attention to comfort ensures that every piece in the collection can be worn with ease throughout the season.”

Looking ahead: The Future of Fabric Innovation:
The Spring/Summer 2026 collection is more than just an assortment of beautiful textiles. It is a testament to what the future of fabric design can look like when sustainability, innovation, and creativity come together. As they look toward the future, they are committed to further pushing the boundaries of what is possible in textile technology, material sourcing, and manufacturing processes.

By focusing on eco-conscious practices and high-performance fabrics, we are not only contributing to a more sustainable fashion industry but also setting a new standard for the kinds of fabrics that will define the seasons to come.

Join us for the upcoming season at Hall 3 | E 04!



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New Fabric Collection by Paulo de Oliveira

FABRICS NEWS

New Collection by PAULO DE OLIVEIRA

13. December 2024

Discover the new Spring/Summer 2026 Collection by Paulo de Oliveira

Founded in 1936, in Covilhã, Portugal, Paulo de Oliveira, SA, is a leader in the production of elastic fabrics in Europe and exports most of its production to all continents. They are a vertical company producing from fiber to fabric, under the same roof, including the spinning, weaving, dyeing and finishing for woven and knitting fabrics.

They are also a reference in sustainable production, with focus on sustainable raw materials produced in Europe with ecological processes, using recycled materials and renewable energy. Their manufacturing process is one of the most efficient in the world in terms of low carbon footprint. They keep on investing in the latest technology, being a state-of-the art unit for the production of wool fabrics and a reference company in the sector, globally.

PAULO DE OLIVEIRA group is composed of 3 textile companies: PAULO DE OLIVEIRA, PENTEADORA and TESSIMAX. The company has several certifications:

  • STeP Certification by Oeko-Tex; Amfori Certification BSCI; GRS – Global
  • Recycle Standard; RWS – Responsible Wool standard and Oeko-Tex Standard 100.
  • They are registered in the BCI (Better Cotton Iniciative) platform – They are not members but they can buy BCI cotton and pass the credits of this cotton to the clients who want BCI cotton;
  • They are registered in the ZDHC platform and they have the Supplier To Zero (Foundational Level) certification;
  • They are registered in the Higg Index platform and they have the certificate of completion of the self-assessment of the environmental module (not verified).

With sustainability and responsibility guiding their practices, as previously mentioned, several investments were made:

New Biomass Boiler, allowing a reduction of carbon emissions (more than 3500 Tons of CO2/year avoided, meaning a 75% reduction);

Over 1.6 million invested on photovoltaic panels, allowing a reduction of electricity consumption from the grid and consequent reduction of indirect CO2 emissions associated with the production of this electricity;

As for wastewater recover and reuse, more than 1.4 million were invested in a wastewater recovery plant. They have their own Wastewater Treatment Plant (WWTP), since 2002 and 100% reuse of all incoming water, which is primarily used for cooling equipment.

“Their manufacturing process is one of the most efficient in the world in terms of low carbon footprint. They keep on investing in the latest technology, being a state-of-the art unit for the production of wool fabrics and a reference company in the sector, globally.”

They have undergoing an investment project to recover 65% of the treated effluent developed in the R&D Project jointly with University of Beira Interior, UBI. With this same institution (UBI), there’s a research project aiming the development of new effluent treatment processes for less pollutant load effluents. Adding to this, they proceeded with installing several flowmeters to improve the characterization and control of water consumption from different production processes. By implementing all of these measures, there was a drastic reduction of fresh water consumption and needs.

Because innovation is part of their DNA, new investments were made in spinning and weaving departments, in order to achieve even more sustainable products.

Now, regarding Paulo de Oliveira’s SS26 Collection, the focus remains on Sustainability, strengthening the Oliveira Green segment. Linen mixes, new designs, micro-designs and a variety of colors can be found, from pastel to the classics, we are bringing variety and innovation to the table, keeping up with the trends, with our high quality fabrics.

Visit them to discover their new collection and services presented at
Munich Fabric Start at Hall 3, Booth D20.

PAULO DE OLIVEIRA


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MUNICH FABRIC START & BLUEZONE - Essential and efficient

ESSENTIAL AND EFFICIENT

CLOSING REPORT

MUNICH FABRIC START | BLUEZONE | KEYHOUSE | THE SOURCE

5. September 2024

The international textile tradeshow MUNICH FABRIC START draws a positive conclusion: the formats MUNICH FABRIC START, THE SOURCE, KEYHOUSE, and BLUEZONE are strategically well-positioned. Over two days, the most important decision-makers from the international textile and fashion industry met in Munich. Highlights included over 1,000 collections showcasing fabric trends and material innovations for Autumn.Winter 25/26, Li Edelkoort’s return, and collaborations along the supply chain.

Essential, highly inspiring, and extremely effective – after two content-rich days, the international fabric trade show MUNICH FABRIC START came to an end. The consensus among visitors is surprisingly consistent: MUNICH FABRIC START, together with THE SOURCE, BLUEZONE, and KEYHOUSE, is one of the most important fabric trade shows for the European fashion industry and is thus of immense significance. On 40,000 square meters, international fabric and ingredient manufacturers showcased around 1,000 collections with trends for Autumn.Winter 25/26. After two days, the trade show closed with 10% fewer visitors. The brands present on-site included designers, product managers, and buyers from adidas, Aigner, Akris, Alberto, Anna van Toor, Armed Angels, Baldessarini, Bestseller, Betty Barclay, BMW, Bogner, Brax, Camel Active, Chloé, Cinque, Comma, Condé Nast, Dariadéh, Digel, Drykorn, eBay, Escada, Esprit, Eterna, Gardeur, Gerry Weber, Hessnatur, Holy Fashion Group, HSE, Hugo Boss, Lagerfeld, Lanius, Lodenfrey, Luisa Cerano, Mac, MalaikaRaiss, Maloja, Marc Cain, Marc O’Polo, März, Mey, More&More, Olsen, Ortovox, Oui, Peek & Cloppenburg, Riani, s.Oliver, Schumacher, Seidensticker, Sportalm, Strellson, Talbot Runhof, Tchibo, Trigema, Triumph, Vaude, or Wolford.
Compression without compromise: With a duration of two days, the Munich textile show has become more efficient. At the same time, a new arrangement of the FABRICS and STUDIOS areas on the upper floor of the MOC, as well as the integration of KEYHOUSE into BLUEZONE on the Zenith Area, has shortened the walking distances and created new synergies.

“We had a very lively first day with an atmospheric get-together in the evening. We would have wished for a stronger second day. Regarding the timing, the alignment of the duration of MUNICH FABRIC START, THE SOURCE, BLUEZONE, and KEYHOUSE, and the reorganization of various tradeshow areas, we have been confirmed that we made the right strategic decision. MUNICH FABRIC START is appreciated, desired, and needed. That’s what matters.”

Sebastian Klinder, Managing Director MUNICH FABRIC START

“We have experienced a lot of appreciation over the last two days, which feels good. What we set up here together with our team is done with a lot of passion, especially for our industry. The textile industry continues to face significant challenges in a difficult economic environment. Now more than ever, we all need to pull together.”

Frank Junker, Creative Director & Partner MUNICH FABRIC START

“I love this tradeshow! And I am incredibly grateful that it exists. Because we need it – not just to stay informed: For Winter 1, we no longer need fabrics, but there is still a lot to clarify with the manufacturers. We use MUNICH FABRIC START as a check-up to discuss and negotiate prices. For Winter 2, on the other hand, we are still open and looking around. Does the shortened time affect us? No, we have always been here for just two days. That’s enough for us.“

Susanne Schwenger, Chief Product Officer, Marc O’Polo

“It’s the first time I‘m visiting BLUEZONE. For Chloé it’s important that a Designer constantly gains knowledge and experience to foster the design capability. Tradeshows are an important part for this. Denim is NOT just another fabric. To make educated design decisions, it’s crucial meeting different people and discuss topics like new innovations and sustainability. BLUEZONE is a very positive experience. I like the size of the event and the energy here. Different to other tradeshows are the workshops. It’s nice to actually try out things and not just discuss them in theory.”

Angela Fusco, Senior Denim Designer, Chloé

Upcoming Trends Autumn.Winter 25/26: Intuition and Illustration

The theme of the 54th edition of MUNICH FABRIC START was “Intuition”, which ran like a red thread through the entire event. In a time when uncertainty and change shape the fashion industry, one relies on the power of inner instincts and creative intuition. “Intuition” stands for breaking free from predefined rules and instead trusting one’s gut feeling and subtle perception of trends. This season’s trend themes focus on human emotions: RESILIENCE, LUCID DREAM, GENTLE POWER, SOLITAIRE, and RECONNECT. RESILIENCE and LUCID DREAM reflect the need for protection and security in uncertain times and the return of romance. GENTLE POWER refers to the peace and energy of nature, inspired by the contrast of vulnerability and strength. SOLITAIRE and RECONNECT represent the return of glamour, sharpness, and the merging of tradition and technology in fashion. This was reflected not only in the showcased collections but also in the around 40 keynotes, panel discussions, trend presentations, and Q&A sessions with more than 50 renowned industry experts.

Li is back

After five years, the globally significant trend researcher Li Edelkoort returned to MUNICH FABRIC START on September 4, 2024, and inspired the audience live with her exclusive Private Lecture. Under the theme “Illustration”, she presented the trends for Autumn.Winter 25/26 and provided exciting insights into future developments in fashion and textiles, as well as upcoming color trends. She relies not only on photographs but also on paintings and posters to visualize her predictions. As the main trend for the next season, she identified Paris – as a city, as a feeling, and as effortless elegance. With all the unrest in the world, she calls for establishing a fashionable contrast: harmonious and orderly rather than chaotic and disordered. “With everything that is happening in the world, all the war and chaos, we need to clean up. At least lookwise. Our outfits need to look very put together and neat and symbolize all the good. Let´s have a bit of humor and creativity. We say no to bad feelings!” Edelkoort stated. Her return to Munich marked a highlight of the fair and reaffirmed her status as a leading voice in trend forecasting.

“We were practically overwhelmed by customers today. We were able to establish many good contacts – from startups to medium-sized companies to the big players, they were all there. The summer party after the first day was a real happening. Very few shows offer such attention to detail. For me, gettogethers are a basis for networking – especially for young people and career entrants who are rather reserved at the tradeshow.”

Moritz Michel Wilke, District Sales Manager, We Nordic

“The new layout is perfect. It is concentrated, and customers can navigate the tradeshow much more easily. This makes it more effective for everyone. Compared to the previous show, it felt like there was a bit more traffic. The atmosphere was very good. I am very satisfied with both days. Hugo Boss, Holy Fashion Group, Meindl, Hauber, Riani, Mac Mode, and Change – they were all there.”

Christiani Torri, Pontoglio (Agentur Berner)

Techknowledge

One word was unavoidable in the lecture program with the around 40 talks and forecasts: Collaboration. The industry is focusing on cooperation to address current challenges such as recycling issues and related EU regulations – thus, a major emphasis is on new network structures, cooperation platforms, and holistic thinking. “We are in an exciting innovative phase. Different concepts can coexist in parallel as they address different niches,” says Drishti Masand, Circularity & Circular Economy Expert at Adidas. With the T-Rex project, Adidas supports an EU initiative developing industry-wide blueprints for a functioning circular economy.

Think Tanks such as KEYHOUSE play a central role as a link between designers, research, and industry stakeholders. A major attraction was the digital direct printing experience by Brother and Niederrhein University of Applied Sciences. In a collaborative workspace, visitors had the opportunity to be creative and print their results live on-site. Simon Angel, curator of SUSTAINABLE INNOVATIONS, summarizes: “We are questioning the status quo – that’s why we are here. The industry needs inspiration, and we need partners from the sector to make a real impact.” Since 2016, a staple of KEYHOUSE, SUSTAINABLE INNOVATIONS this September showcased some of the most future-proof textile developments for industrial problem-solving at the stands and in the joint panel, including Fabulous Fungi, Ilse Kremer, Studio Joris De Groot, Knit In Motion by Suzanne Oude Hengel, Rietgoed By Iris Veentjer, and Studio Tjeerd Veenhoven. Also in focus are the automation and digitalization of sustainability strategies. Exhibitors like Trace Momentum and tex.tracer present their solutions for clean data collection along the value chain towards a user- friendly digital product passport. AI providers and individualized, thus less wasteful, printing processes are also featured at KEYHOUSE. Due to renovation work, KEYHOUSE this time was located in the midst of BLUEZONE in Hall 7.

“For us, this is fantastic. We see ourselves as innovators in the jeans industry – MUNICH FABRIC START allows us to connect with relevant partners.”

Julio Perales, Technical Segment Manager Denim, Archroma

“We really do business here! The show doesn’t limit exchange to a quick hello. At BLUEZONE you really have space to sit down and go through your collection with your customers, to talk details and actually make deals. This is especially important for us, as Germany is a key market for denim. We are really happy with the organization, whenever we faced challenges the MFS-team was there to solve it.”

Dilek Erik, Global Marketing Manager, Sharabati

“I haven’t been to MUNICH FABRIC START and BLUEZONE for 8 to 10 years. It changed a lot. I really like it that the two tradeshows are on at the same time. What they showcase in regards of material innovation & tech is quite universal. In the denim community we are very tightening. The denim heads stick together. It’s nice to be surrounded by complete strangers. It broadens your horizon. MUNICH FABRIC START gives us a platform to cross pollinate. No other denim show does that. It’s the same with BLUEZONE and KEYHOUSE. How great is that: I’ve just seen 3D-printing onto denim. It’s amazing. The future of denim is tech & science.”

Amy Leverton, Trend Forecaster, Denim Dudes

BLUEZONE: Patches, Five-Pockets and Distressed Fabric

At BLUEZONE in the Zenith Area, over 70 international denim mills showcased their latest developments for denim and sportswear. The denim community discussed new guidelines for the industry. The kickoff was provided by Tilmann Wröbel, who, under the event theme “DENIMINED,” highlighted the seven central trend directions for the industry: Pimp my waist, Digital Denim Art, Skinny What, Tech it Easy, Free Your Denim Mind, There is Hope in Green, and Design Exaltation.

DENIMINED runs through the trend presentations and talks – the industry shows itself innovative in Munich. New digital printing techniques, dyeing, and finishing technologies underscore the strength of BLUEZONE in bringing the value chain closer together. Beyond the trends, addressing the sustainable impact of the industry remains a central theme. Collaboration is also key here – the Denim Deal has a positive balance and expands with a Germany Hub to Germany. Signatories of the Denim Deal include Advanced Denim, AGI Denim, Bossa, Calik, CBL, DNM, Kipas, Maritas, Naveena, Orta, Realteks, and Sharabati. “We think pre-competitively – to create the foundation for a successful circular economy – which also includes good communication to make circularity tangible as a product advantage,” says Max Gilgenmann, Co-CEO – studio MM04. Intuition meets Innovation – MUNICH FABRIC START has once again demonstrated how the communities from Denim, Fabrics, and Innovation inspire each other and collectively pave the way to the future.

ADDITIONAL VOICES ON MUNICH FABRIC START

“Even after COVID, trade shows like MUNICH FABRIC START remain extremely important for our industry. Both we exhibitors and the customers need to understand this. MFS is the place to be, where people come together. The digital product passport will be a necessity in the future. This has put us in a kind of hybrid position. We are no longer just a product supplier, but also an IT supplier. There is currently a redistribution taking place in this regard.”

Daniel Jung & Jan Knoch, Managing Director, Trimco Group

“By processing leftover fabrics into new yarn, we minimize waste almost completely and simultaneously create a durable product. We have been successfully applying this technique for over a decade, which has earned us the German Design Award 2024.”

Juan Pablo Rivera Castillo, Chief Commercial Officer, Incalpaca

“The show is one of the best-organized trade shows I know. I come here extremely gladly, much more so than to Paris. Here, I find manufacturers from Turkey, Asia, and Italy. I am particularly looking for the highlights of my collection. The selection from so many suppliers is extremely important. Only here is it so well bundled. For me as a designer, the trend information with Li Edelkoort and Peclers was also amazing. And not to forget, the innovations in KEYHOUSE. You can achieve a lot in two days, but the three days were better – also from a sustainability perspective. To achieve everything here, we bought and watched Li’s digital content in advance with the team.”

Claudia Lanius, Founder and Designer, Lanius

“For coordinates, the timing is good. A show like MUNICH FABRIC START expands the content horizon. I find that very important. One must look to the right and left to pick the best opportunities.”

Winfried Rollmann, Owner, CEO & Creative Director, Six Brother Factory

THE NEXT TRADE SHOW DATES FOR SPRING.SUMMER 26

VIEW PREMIUM SELECTION

3 + 4 DECEMBER 2024
Dampfdom Motorworld Munich

WWW.VIEWMUNICH.COM

MUNICH FABRIC START, BLUEZONE, KEYHOUSE & THE SOURCE

21 + 22 JANUARY 2024
MOC & Zenith Area Munich

WWW.MUNICHFABRICSTART.COM

Discover more industry-changing innovations at our upcoming trade shows:


Navigating the Future of Sustainable Innovation

Navigating the Future of Sustainable Innovation

An interview with Simon Angel

3. September 2024

Simon, this season’s Sustainable Innovations (SI) exhibit at Munich Fabric Start seems to have taken a more introspective turn. Could you share how you’ve approached the curation for this year?

Simon Angel: Absolutely. If you look at our past themes, they almost read like serialized literature. We began by exploring the challenges designers faced and the industry’s reluctance to move beyond traditional practices. Over time, our sustainable theme has woven itself into the very fabric of our industry—integrating into processes, policies, and people’s mindsets. This season, we’re continuing this saga by posing critical questions and embracing a more holistic narrative. It’s less about solutions and more about interventions and transformative thinking.

Interesting. Could you elaborate on how this philosophy manifests in the exhibited projects?

Simon Angel: Certainly. Take Suzanne Oude Hengel’s “Knit in Motion” as an example. Suzanne’s work challenges conventional knitting practices and pushes boundaries. Her exploration into combining knitting with thermoplastic polyurethane (TPU) and 3D printing isn’t just about creating new forms; it’s about questioning and redefining traditional manufacturing processes. This fusion of techniques not only rejuvenates product design but also opens up new vistas for the industry.

Knit in Motion by Suzanne Oude Hengel

Joris de Groot’s work is also featured prominently. How does his approach fit into this narrative?

Simon Angel: Joris’s approach is quintessential to our theme of questioning and innovation. His “2000N Pressed Shoe” and “Recycled Raincoat” projects exemplify how traditional techniques can be reimagined for modern applications. By integrating industrial processes with sustainable practices, Joris turns waste into valuable products, thus challenging the very concept of material utility in fashion. His collaboration on the “Welded Loop” project further demonstrates how combining different techniques can lead to novel, sustainable solutions.

Tjeerd Veenhoven’s projects with mycelium are intriguing. How do they contribute to the broader narrative?

Simon Angel: Tjeerd‘s work with mycelium embodies a leap towards sustainable material innovation. His “Mycelium 2D Printing” explores the use of fungal materials to replace conventional plastics and dyes. This aligns perfectly with our theme of questioning and rethinking systems. Tjeerd’s projects aren’t just about creating sustainable alternatives; they represent a paradigm shift in how we perceive and utilize biological materials in fashion.

Iris Veentjer’s “RietGoed” project also stands out. What role does it play in this season’s exhibit?

Simon Angel: Iris’s “RietGoed” is a prime example of how material innovation can address environmental challenges. By developing high-quality textiles from reed fibers, she tackles issues like soil subsidence and CO2 emissions. Iris’s approach is a testament to how sustainable practices can be seamlessly integrated into textile production, promoting both ecological balance and economic viability.

Fabolous Fungi by Ilse Kremer

RietGoed by Iris Veentjer

LightLining by Biotexfuture

Studio Tjeerd Veenhoven

Ilse Kremer’s “Fabulous Fungi” introduces a novel way to approach textile dyeing. How does it fit into the exhibit’s overarching theme?

Simon Angel: Ilse’s “Fabulous Fungi” project is a brilliant illustration of how we can rethink traditional processes. By utilizing fungi to produce dyes, Ilse addresses both environmental and health concerns associated with synthetic dyes. This project embodies our theme of exploring and implementing alternative solutions that are both innovative and sustainable.

 

Lastly, can you shed some light on the BIOTEXFUTURE initiatives and its relevance to this year’s theme?

Simon Angel: BIOTEXFUTURE is at the forefront of transitioning the textile industry to biobased materials. This initiative, which includes projects like TransitionLab and LightLining, aligns with our broader narrative of fostering systemic change. By focusing on biobased polymers and sustainable textiles, BIOTEXFUTURE is paving the way for a future where the textile industry can achieve true circularity and sustainability.

Studio Joris de Groot

How do you see these innovations influencing the future of the textile industry?

Simon Angel: These innovations represent a profound shift in how we approach textile design and production. They challenge existing paradigms and offer new perspectives on sustainability. By fostering a culture of questioning and experimentation, we’re not just enhancing the industry’s practices but also inspiring a broader societal shift towards more sustainable and thoughtful consumption.

Simon, thank you for sharing these insights. It’s clear that this season’s SI exhibit is not just about showcasing new materials but about sparking a deeper conversation about the future of our industry.

Simon Angel: My pleasure. I invite everyone to engage with these projects and be a part of this evolving dialogue. It’s through such collective exploration that we’ll truly drive forward sustainable innovation.

We look forward to experiencing this season’s exhibit and seeing how these pioneering ideas will shape the future.

Simon Angel: Thank you. See you at the SUSTAINABLE INNOVATIONS – and don’t forget: you’ll find us at the Keyhouse in Hall 7 this season!


Discover more industry-changing innovations at our upcoming trade shows:


INTUITION – In conversation with the organisers of MUNICH FABRIC START about the zeitgeist, trade shows and new chances

INTUITION

An interview with the organisers of MUNICH FABRIC START about the zeitgeist, trade shows and new chances

3. September 2024

The MUNICH FABRIC START is about to start. How does it feel to get going again after the challenges of the last few years?

Sebastian Klinder: It feels good! The industry has been in a thoroughly challenging situation. After the last VIEW in June this year, there is a slight upward mood. And that is exactly what we noticed during the preparations for this trade show. There is a cautious spirit of optimism, which has a motivating effect. MUNICH FABRIC START offers the perfect framework for transforming this positive energy and putting it into practice.

Frank Junker: Absolutely. It’s also the right time for us to come together again. The MUNICH FABRIC START is more than just a trade show – it is a platform where ideas are born and new paths are taken. I firmly believe that we need more joy and fun in the industry again. This is also reflected in our September programme: it is varied, inspiring and full of new ideas.

This season’s theme is ‘INTUITION’. What does this theme mean for MUNICH FABRIC START and the industry as a whole?

Sebastian Klinder: ‘INTUITION’ is the central contemporary theme for us because it reflects the way in which we can react resiliently to the current challenges both in society as a whole and in the fashion industry. Our industry is still undergoing disruptive change and it is at times like these that it is particularly important to trust your intuition. The main theme aims to highlight human emotion as a source of creativity. We want to focus on the instincts that help us make the right decisions in uncertain times. This is also reflected in the trends for Autumn.Winter 25/26, which focus strongly on resilience, dreams and a return to the essentials.

Frank Junker: Exactly, and it’s explicitly not just about fashion, but about the entire environment in which we operate. ‘INTUITION’ means that we have the courage to rely on our inner voice instead of just relying on hard facts and data. MUNICH FABRIC START provides the space where creativity and intuition can go hand in hand to drive innovation. It is an invitation to our industry to embrace the unknown and break new ground by relying on what you feel deep inside.

Sebastian Klinder (Managing Director) & Frank Junker (Creative Director & Partner), MUNICH FABRIC START

» INTUITION means that we have the courage to rely on our inner voice instead of just relying on hard facts and data «

This year’s motto at BLUEZONE is ‘DENIMINED’. What can visitors expect in this area?

Frank Junker: ‘DENIMINED’ is a neologism that reflects our deep commitment to denim. BLUEZONE has always been a place where tradition and innovation meet, and that will be the case again this time. Visitors can look forward to a wide-ranging programme, from new technologies in denim production to live design sessions. It’s about seeing denim not just as a fabric, but as part of a global culture that is constantly on the move.

Sebastian Klinder: Thanks to the runtime synchronisation of MUNICH FABRIC START and BLUEZONE, the two platforms will become an even more integrated ecosystem in which we can offer the denim community an even bigger stage. ‘DENIMINED’ brings together the A-Z of denim in the directly adjacent Zenith Area and showcases everything the industry has to offer. Whether sustainable production, innovative materials or creative designs – everyone will find something to inspire them here. The BLUEZONE is the perfect place to immerse yourself in the world of denim and experience the latest trends and developments up close.

MUNICH FABRIC START presents around 1,000 collections from international suppliers on around 40,000 square metres. Where do you see yourselves in this context and what are your next goals?

Sebastian Klinder: MUNICH FABRIC START has become one of the most important trade shows for the international fashion industry. But we prefer quality to quantity. We focus on gaining importance in different markets within Europe. Of course, the 40,000 square metres of exhibition space and around 1,000 collections show how diverse and dynamic our industry is. But above all, we are proud to once again make Munich the central venue for designers, product managers and the entire fashion industry. Numbers are not the ultimate measure for us – we are more interested in our show being a platform where not only business is done, but where trends are set and sustainable, value-adding and creative partnerships are established.

“Numbers are not the ultimate measure for us – we are more interested in our show being a platform where not only business is done, but where trends are set and sustainable, value-adding and creative partnerships are established.”

Frank Junker: In a nutshell, our show is where the industry comes together to shape the future of fashion. We offer different areas and themes that allow visitors to get informed and get inspired at the same time. It is this synthesis of diversity and structure that makes MUNICH FABRIC START so unique and a must for everyone in the fashion industry. And our goal is to continue to improve within these structures.

In addition to the hard business factors, the MFS always offers plenty of opportunities for networking and dialogue with industry experts. What can visitors expect?

Sebastian Klinder: This year we have put together a particularly rich programme of seminars and presentations. Topics range from sustainability best practice and supply chain challenges to internationally influential trend seminars – such as the Trendlectures by Li Edelkoort and Peclers Paris. As well as providing valuable insights, these events are a great opportunity to network with other industry experts and make new contacts. The legendary MUNIQUE Night Aftershow Party is one of the highlights, taking place as always on the evening of the first day of the show. Here, visitors can network in a relaxed atmosphere and gain new inspiration for their work through discussions.

Frank Junker: Effectiveness and flexibility are core principles of our work. Our aim is to create an authentic, competent, approachable and open event that meets market requirements. We listen carefully to our exhibitors, partners and visitors and use our lean structures to act boldly and decisively. MUNICH FABRIC START is a trade show that is constantly evolving to meet the needs of the industry. This is the reason why we will continue to play a central role in the fashion industry in the future.

How is MUNICH FABRIC START positioning itself at a time when the requirements for trade shows that reflect global markets are becoming increasingly complex?

Sebastian Klinder: We have responded to the changing requirements by shortening the duration of the trade show to two days without compromising on quality and service. This enables our exhibitors and visitors to use their time efficiently and still make all the important contacts and gather information. Our platform is designed to be flexible and adaptable – this reliability is our key to success in an age where change is the only constant.

Frank Junker: Effectiveness and flexibility are core principles of our work. Our aim is to create an authentic, competent, approachable and open event that meets market requirements. We listen carefully to our exhibitors, partners and visitors and use our lean structures to act boldly and decisively. MUNICH FABRIC START is a trade show that is constantly evolving to meet the needs of the industry. This is the reason why we will continue to play a central role in the fashion industry in the future.

How do you see the future of MUNICH FABRIC START and the fashion industry in general?

Sebastian Klinder: I am optimistic. The challenges of the last few years have shown us how adaptable our industry is. With MUNICH FABRIC START we are creating a platform that brings the right people together at the right time and in the right place. We are ready for what lies ahead. I am convinced that as an industry we will emerge stronger and more creative.

Frank Junker: The future is full of opportunities. If we continue to focus on our strengths – creativity, innovation and collaboration – there is no limit to what we can achieve. MUNICH FABRIC START will continue to play a key role in shaping that future in the years to come. I look forward to seeing how we can move the industry forward together.

Sebastian; Frank – thank you for the interview!

Discover more industry-changing innovations at our upcoming trade shows:


FABRIC HIGHLIGHTS & MATERIAL NOVELTIES FOR AUTUMN.WINTER 25/26 - PART VIII

FABRIC HIGHLIGHTS & MATERIAL NOVELTIES FOR AUTUMN.WINTER 25/26 - PART VIII

3. September 2024

At the upcoming MUNICH FABRIC START, around 600 international suppliers will present their material innovations for all apparel segments in the FABRICS Area. The complete product portfolio of fashionable woven and knitted fabrics made of wool, cotton, silk, blends and functional fibres will be presented here. For the Autumn.Winter 25/26 season, we present some new products and highlights from international producers in our FABRICS blog posts:

DELFI

The Fall/Winter 25-26 collection is focused on synthetic qualities blended with natural fibers as well as fabrics suitable for outwear, jackets or swimwear. The claim “The best made by our hands” highlight the importance of our partners to create an high quality fabric giving the best service possible. The growing importance of Eco-sustainability in the manufacturing field has led the company to be GRS certificated and to introduced more recycled Nylon and Polyester fabrics too, as well as brand new ecological finishing process

Italy – H3 | C 08

“The claim ‘The best made by our hands’ highlight the importance of our partners to create an high quality fabric giving the best service possible.”

DELFI

LEATHERTEX

Leathertex has conquered the experimental textile track for more than forty years thanks to the pioneering and bold spirit of Francesco Favini. Favini pushed beyond the standard of the textile industry during the 1970’s and did not let Prato production limit his wool fabrics. From then on, a lot has changed but the foundations remain the same. There is a common enthusiasm, the desire to expand and grow, and the key objective to please the customer.

Flocked, coated and resin finished fabrics were vanguard fabrics in the 1970’s. Today, because of diversification high tech productions are now possible at Leathertex.

Today, the mill is well known because of its superb production of the highest quality of imitation leather. The imitation leather is produced in many variations with unique looks, feel, colors and thickness. The sample room at the mill has a wide range of models made up of synthetic as well as cotton fabrics, coated, quilted and embroidered fabrics, and fabrics bonded with faux furs, films and plastic materials.

Italy – S1 | E 124

“All fabrics come to life with the highest attention to details and are aligned with the demands of the fashion market.”

LEATHERTEX

LEMAR

At Lemar, diversity is the key element in their full range of fabrics. Each article is designed to meet varied needs, whether for clothing, modern accessories, or home wear items. Lemar stands out for the quality and versatility of its options, enabling any brand collection to come to life with style and originality. By exploring their collections, you will find not just fine fabrics, but also the possibility of transforming your ideas into reality, offering solutions that perfectly adapt to any desired end use.

Portugal – H4 | F 03

“Lemar stands out for the quality and versatility of its options, enabling any brand collection to come to life with style and originality.”

LEMAR

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New Fabric Collection by BUNTASTIC

DESIGN STUDIOS NEWS

New Print Design Collection by BUNTASTIC

3. September 2024

Natural resilience, gaining back power and emotional connection – welcome Autumn/Winter 2025!

At the upcoming MUNICH FABRIC START, BUNTASTIC will present their material innovations for the Autumn.Winter 25/26 season in the new Design Studios area in the rooms E 119 & F 111 on the first floor in S1 DS. 

Buntastic Design Studio has put together for us a “bowl” of fresh design ingredients for fall/winter 2025. New, innovative components in combination with comforting “dishes” serve us new, promising creations.

Natural resilience: Experiencing ourselves as part of nature and at the same time connecting deeply with our own “humanness”, creates resilience. Animal motifs reminiscent of tree bark, camouflage that transports us into moss-covered landscapes, offering a breath of fresh air, even in an office setting.

Regaining Power:  A.I. and the associated uncertainty leave us with conflicted feelings. Buntastic embraces this artificial influence by adding a “pinch” of innovation to our beloved designs to rejuvenate and empower.

Emotional Connection: In a world in which trends move ever faster, and are therefore in clear contradiction to sustainability, buntastic creates a counterbalance. Artistic intuition, which creates an emotion for the end consumer, is embedded in the zeitgeist and deliberately detached from micro-trends. “Sometimes a print is just right and becomes the next big hit – or even a trend,” says Tanja Neßler, art-director and owner.

“Experiencing ourselves as part of nature and at the same time connecting deeply with our own ‘humanness’, creates resilience.”

Join us for the upcoming season as we look forward to exploring these themes and more

with you at Buntastic Design Studio in S1 DS | E 05!

BUNTASTIC


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FABRIC HIGHLIGHTS & MATERIAL NOVELTIES FOR AUTUMN.WINTER 25/26 - PART VII

FABRIC HIGHLIGHTS & MATERIAL NOVELTIES FOR AUTUMN.WINTER 25/26 - PART VII

2. September 2024

At the upcoming MUNICH FABRIC START, around 600 international suppliers will present their material innovations for all apparel segments in the FABRICS Area. The complete product portfolio of fashionable woven and knitted fabrics made of wool, cotton, silk, blends and functional fibres will be presented here. For the Autumn.Winter 25/26 season, we present some new products and highlights from international producers in our FABRICS blog posts:

Heinrich Sundag Textildesign + Vertrieb

Fluffy soft fleece qualities in 100% wool and two weight classes in organic design and Gots-certified from the German producer Textilveredlung Keller.

This quality is suitable for the toddler sector thanks to its special softness and Gots certification, but also for the wintry adult outdoor sector thanks to its particularly warming properties combined with light weight. A wonderfully soft, lightweight, 300g/m² quality made from 100% organic merino wool and Gots-certified is available from stock in 9 colors. A 350g/m² heavier version can be made to order.

“This quality is suitable for the toddler sector thanks to its special softness and Gots certification, but also for the wintry adult outdoor sector thanks to its particularly warming properties combined with light weight.”

Intra-Tess, Italy offers high-quality fine jerseys in wool/cotton, silk, jacquards in cotton/silk or in the less expensive cotton and recycled nylon version. Lightweight double-faced fabrics in linen/wool, wool/cotton speak a modern language. Wool fabrics from the ital. Wool fabrics from Italian producers Bianchi-Nila, Casadei and Sintopel in versatile knitting variations and techniques, some Gots-certified, ensure optimum body temperature in winter. Fashionable and creative ribbons and trims, fringes made of versatile materials from Manifattura Modenese can enhance plain styles in a simple way. Knitted cuffs, ribbons and collars are ideal complements to the indoor and outdoor qualities on offer.

Germany – H2 | B 07


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Additionals Trends Autumn.Winter 25/26 – Part 6

ADDITIONALS NEWS

We Nordic Label Studios: Elevating Brand Identity with Simplicity and Refined Details

2. September 2024

The latest developments for buttons, ribbons, decorative stones, closures, linings, lace, embroidery, interlinings as well as labeling and branding solutions will be presented by around 150 leading international ingredients and accessories suppliers in the ADDITIONALS Area at MUNICH FABRIC START. Explore some of the novelties here in our ADDITIONALS blog posts:

In the world of branding, where every detail can define a brand’s image, We Nordic Label Studios is recognized for its innovation, craftsmanship, sustainability, and compliance. Specializing in custom labels, hangtags, packaging, branding, and trimmings, this Danish-founded studio has made its mark by blending minimalist design with a strong focus on responsible practices.

Crafting Identity Through Innovation

At We Nordic Label Studios, there is a strong belief in the power of collaboration and creativity. By collaborating with the visionary minds behind each brand, the studio transforms ideas into tangible products that resonate with a brand’s ethos. Their meticulous approach ensures that even the smallest design elements make a significant impact, contributing to a cohesive brand narrative.

“We Nordic Label Studios is recognized for its innovation, craftsmanship, sustainability, and compliance.”

Certifications You Can Trust

Central to the studio’s philosophy is a commitment to responsible practices. We Nordic prioritizes materials with globally recognized certifications that attest to their environmental integrity and ethical production:

  • Global Recycled Standard (GRS): Guarantees that products contain recycled materials and meet stringent environmental and social criteria.
  • Global Organic Textile Standard (GOTS): Ensures that products are made from organic fibers and are manufactured sustainably, free from harmful chemicals.
  • Forest Stewardship Council (FSC): Promotes responsible forest management by sourcing paper-based materials that protect biodiversity and support local communities.
  • OEKO-TEX Standard 100: Certifies that textile accessories are free from harmful substances, prioritizing consumer safety and ecological sustainability.

From Vision to Reality: Design Excellence

The journey with We Nordic Label Studios begins with a deep understanding of a brand’s vision. The studio specializes in translating conceptual ideas into exquisite designs that captivate and resonate. Whether it’s labels that speak of craftsmanship, hangtags that tell a brand’s story, or packaging that enhances product presentation, each piece is crafted to reflect the essence of the brand.

 

Danish Design Philosophy: Simplicity and Refined Details

Rooted in Danish design principles, We Nordic’s aesthetic revolves around simplicity, elegance, and attention to refined details. The studio views design as storytelling, and through its creations, it aims to amplify the unique narrative of each brand it collaborates with.

“The studio specializes in translating conceptual ideas into exquisite designs that captivate and resonate.”

A Global Presence

With a presence spanning key locations, including a sales and design studio in Odense, Denmark, a sales and showroom in Hamburg, Germany, and operational centers in Hong Kong, China, Europe, and Türkiye, We Nordic Label Studios ensures seamless production, logistics, and warehousing capabilities worldwide. This global footprint allows the company to deliver excellence across borders while maintaining the highest standards of craftsmanship and responsible compliance.

 

Our Story: Designing Tomorrow, Today

Founded in the heart of the Nordic region by a team of passionate individuals with deep expertise in fashion accessories and design, We Nordic Label Studios was born from a shared vision to redefine industry standards. The studio’s journey is a testament to innovation, craftsmanship, and a steadfast commitment to sustainable practices, ensuring that every product bearing the We Nordic name reflects dedication to quality and responsibility. In conclusion, We Nordic Label Studios doesn’t just create products; it crafts experiences that resonate with audiences.

The company invites others to join in shaping a future where innovation meets responsible practices, and where every detail tells a story of craftsmanship and care.


VISIT WE NORDIC AT H1 | B 03

WE NORDIC


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BLUEZONE NEWS FOR SEPTEMBER 2024 - PART IV

BLUEZONE NEWS

HIGHLIGHTS & NOVELTIES FROM DENIM MILLS IN MUNICH

EXPLORE THE NEW CONCEPT DEVELOPED BY TEJIDOS ROYO

1. September 2024

At BLUEZONE, some 100 international Denim- and sportswear suppliers will present their most recent Denim novelties and innovations. Halls 6 + 7 will become the blue hotspot again. Parallel to MUNICH FABRIC START with THE SOURCE and KEYHOUSE, the Zenith area will become the hub of the international denim community with an all-round relevant event program.

With the leitmotif DENIMINED, we invite the industry to have a clear and unique vision in this world of constant change, to show its own DENIMINED… Together with all international industry leaders, let us define or reinterpret the different DENIMINED’s that can be created in the wide world of DENIMS!


TIMELESS, DURABILITY AND ELEGANCE ONE STEP FURTHER:

Tejidos Royo has embraced the sustainable philosophy of circular fashion. Based on this idea, this century company has developed a new collection composed of fabrics that have undergone a process that makes them more durable, long-lasting and color resistant.

Timeless is a new concept from Tejidos Royo that represents the creation of high-quality garments with less impact on the planet, ensuring the garment longevity and encouraging the reparability of garments since these garments are eco-designed to consider the entire life cycle of the product.

Timeless, with improved fabric’s resistance color to domestic washes prevents worn-out appearance on garments, as well as color change. Its durability allows it to stand the test of time, extending the garment’s lifetime.

Tejidos Royo has developed a high-quality finish with the following characteristics and values: 4 at water washy and perspiration fastness, 4 at dry rocking fastness, 40% recovery improvement, and 4 at color change after 30 repeated home laundering. With these results, Timeless fabrics demonstrate their worth.

The first pathway to sustainability is to ensure the longevity and durability of textile products to reduce the consumption of natural resources. Increasing endurance allows longer use and reuse of products, contributing to extending the life cycle of textiles. At the design stage, careful selection of material increases the longevity and durability of textiles. With all these ideas in mind, Tejidos Royo product team have created these impressive and long-lasting fabrics.

“TEJIDOS ROYO’s motto is MAKING THE IMPOSSIBLE.”

SOFT DENIM, EXTREMELY SOFT TOUCH IN A SUSTAINABLE DENIM.

Experience the future of denim with our revolutionary Soft Denim, part of our FW-25/26 collection. This collection composed mainly by lyocell, with cotton-free items, offers unparalleled softness and a sophisticated drape that elevates your style effortlessly.

Their Soft Denim stands out not just for its luxurious feel, but also for its commitment to sustainability. Using Dry Indigo® technology, this denim is dyed using 0% water, with no water discharge and significantly reducing chemical use by 89% and energy consumption by 65%. This innovative process not only conserves precious resources but also ensures a lower environmental footprint.

Their collection Soft Denim is designed for the modern individual who values comfort and sustainable fashion.

COME AND VISIT TEJIDOS ROYO AT H6 | C 03

TEJIDOS ROYO

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