Sustainability

A Life As An Art Project - Sustainable Innovations

HUMAN-CENTERED TEXTILES by SOPHIE CONROY:

A Life as an Art Project

Sustainable Innovations

15. February 2024

To artist Sophie Conroy, her life is an experiment. In her latest work, she chose to live without her own house for 6 months in Eindhoven, on a quest to find more connected ways of living. During this time, she experienced living amidst chaos and connection. She found various forms of shelter and witnessed the beauty of her community. Through observing her fundamental human needs, she aims to grasp their authentic essence. Embracing the discomfort of houselessness allowed her to uncover valuable insights, challenging traditional notions of art, ownership, and community.

Textiles, for Sophie, become a medium that provides protection while revealing the vulnerability of the self. Confronting existential challenges during her houselessness, textiles transform into symbols of resilience and self-discovery.

Sophie crafts her textiles using primarily found materials, notably her own clothing. She believes in the power of textiles as a communication tool, using them to capture the essence of community and home. She peels away the capitalist consumer dimension of fabric, recognising it as a fundamental connection between body and environment.

Sophie Conroy doesn’t just create artworks; she constructs spaces for dialogue and interaction. Her installations incorporate videos, tapestries, drawings, writing and projections, creating a captivating fusion of textiles and visual art. The space and Sophie herself become part of the art, inviting observers to immerse themselves in this interactive environment.

Sophie emphasises that our focus should not be on designing more ‘stuff’ but on creating new perspectives and ways of seeing. Through creating tools to shift our perspectives, Sophie believes we can move away from the current patterns of exploitation, isolation, and consumption and towards societies grounded in trust, joy, and connection.

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New Fabric Collection by BUNTASTIC

3. September 2024

Buntastic Design Studio has put together for us a “bowl” of fresh design ingredients for fall/winter 2025.

FABRIC HIGHLIGHTS & MATERIAL NOVELTIES FOR AUTUMN.WINTER 25/26 – PART VII

2. September 2024

This quality is suitable for the toddler sector thanks to its special softness and Gots certification, but also for the wintry adult outdoor sector thanks to its particularly warming properties combined with light weight.

Additionals Trends Autumn.Winter 25/26 – Part 6

2. September 2024

We Nordic Label Studios is recognized for its innovation, craftsmanship, sustainability, and compliance.

by Chantal Graeff

CLOUDWOOL - Sustainable Innovations

CLOUDWOOL by MARTIN BRAMBLEY

Sustainable Innovation from Local Wool

Sustainable Innovations

13. February 2024

Cloudwool, presented by Martin Brambley, is an oasis of sustainability in the textile universe, introducing pure, local wool of new quality to the market. The projects name symbolises not just an island in the sky but also the unity of environmentally conscious production and high-quality materials.

In a time where natural wool is often imported and blended with synthetic fibers, Cloudwool relies on local resources and fights against the neglect of local sheep farmers’ wool. The sustainable angle of Cloudwool emerges from the desire to bring local fibers to the market in new and exciting forms. The 100% local wool, typically considered waste, is transformed into a super-soft and durable fabric through nonwoven technology – without burdening the environment. Natural, breathable, and comfortable, Cloudwool integrates the natural properties of wool into the material to make it as exceptional as possible.

From farm to fabric, Cloudwool relies on local resources, creating a traceable supply chain in collaboration with European sheep farmers. The company pays farmers up to 5 times more than the market price for their wool and produces Cloudwool locally using energy-efficient processes. Together with Cloudwool, you’re not just shaping clothing but also reshaping silhouettes and textures. This isn’t just ordinary wool fabric – with more personality and far fewer post-processing possibilities, the potential is endless.

Doppelhaus, the company behind Cloudwool, was founded by Martin Brambley and Yolanda Leask. In a world where sustainable fashion must be affordable, they are committed to creating sustainable materials for a circular, low-carbon fashion industry of the future. Their innovative approach utilizes efficient nonwoven textile production techniques in line with Cradle-to-Cradle principles.

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New Fabric Collection by BUNTASTIC

3. September 2024

Buntastic Design Studio has put together for us a “bowl” of fresh design ingredients for fall/winter 2025.

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2. September 2024

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Additionals Trends Autumn.Winter 25/26 – Part 6

2. September 2024

We Nordic Label Studios is recognized for its innovation, craftsmanship, sustainability, and compliance.

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CO2 Tex - Sustainable innovations

CO2 Tex

by BIOTEXFUTURE

Revolutionary Sustainability In The Textile Industry

Sustainable Innovations

1. February 2024

Within the BIOTEXFUTURE cluster, the CO2Tex project introduces innovative paths for sustainable elastic yarns. In the context of the overarching BIOTEXTFUTURE project, the Institute for Textile Technology (ITA) and the Chair for Technology and Organizational Sociology (STO) at RWTH Aachen, together with adidas, strive to achieve the transition of the entire textile value chain to bio-based materials.

CO2Tex stands out as a central project within BIOTEXFUTURE, focusing on CO2-containing thermoplastic polyurethane (TPU) as an alternative to conventional elastane. This project revolutionizes elastic yarn production by eliminating toxic solvents, not only reducing environmental impact but also enabling potential industrial mass production.

The overarching BIOTEXFUTURE project, led by ITA, STO, and adidas, aims for a swift translation of fundamental research into practical applications. Traditional textiles are to be replaced by sustainable, biobased materials, with CO2Tex playing a pivotal role by demonstrating advancements in the development of commercially viable elastic filament yarns from CO2-containing TPU.

CO2Tex’s goal by October 2024 is to establish these environmentally friendly yarns on an industrial scale, replacing conventional elastane. The project not only focuses on technological advancements but positions itself as a pioneer for sustainable development across the textile industry. By integrating CO2Tex into BIOTEXFUTURE, the vision of an eco-friendly and bio-based future in the textile industry takes a significant step forward.

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2. September 2024

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KEYHOUSE 2024 trends spring.summer25

KEYHOUSE

Innovation Hub For Tomorrow's Fashion

20. January 2024

In the atmospheric industrial charm of KEYHOUSE, Hall 5, progressive suppliers and global players from cross-industry sectors will be showcasing their latest new developments and innovations. On over 1,000 square metres, you will find trend-setting future fabrics and new process technologies – be it in terms of sustainability, circular economy, digitalisation & AI, traceability, textile dyeing or finishing. Staged as an interactive think tank, future-oriented show cases will be in the spotlight alongside sustainable innovations.

KEYHOUSE is also home to the main lecture forum of MUNICH FABRIC START with exclusive keynotes, panel discussions, trend presentations, Q&A sessions & expert talks by international industry insiders. Be inspired by the wide range of events at KEYHOUSE.

TO THE LECTURES

BRIGHTFIBRE

BRIGHT.FIBER® INSIDE: 100% circular – end2end – solution provider. We turn your old clothes into new textile. Brightfiber Textiles works in a fully closed loop and turns post consumer textile waste from the end consumer, into brand new collections. Brightfiber Textiles works with local waste streams and automatically sort, clean and process material into BRIGHT.FIBER’s in their circular factory in Amsterdam.100% circular stock yarns are produced in beautiful, contemporary and seasonal colors. BRIGHT.FIBER minimizes the use of virgin resources and offers circular and sustainable end2end solutions.

EEDEN

eeden enables the production of fibers such as Lyocell, Viscose, or Polyester from end-of-life textiles. They have developed a holistic upcycling technology to extract cellulose and polyester from discarded fabrics. Their process is in line with EU regulations, conserving resources and offering a scalable, circular solution to the waste challenges of the textile industry. Visit them at the KEYHOUSE and learn more about their upscale.

EYAND

EYAND presents a collection with a large range of natural colours, all with very good colour fastness. Certified with Oeko-tex and GOTS. Their natural dye cotton, wool, cashmere and silk garments and offer a full package service from the knitting of the fabric, Inhouse workshop for pattern making and proto samples and garment dyeing with their natural colours.

SOKO

Following its innovative nature, the Italy based chemical company Soko has recently launched the “Projects Division” which aims to become the research department open to collaborations – on a project basis – for all players in the textile industry. The Projects Division will evaluate, analyse and seek solutions for specific targets which will be rised from the corresponding partner or Soko itself. The work will range from the optimisation of the washing process, to new finishing techniques and any topic which may constitute a challenge or a discussion.

STRATASYS

Stratasys, a 3D printing solutions pioneer, introduces the first 3D printer designed for direct-to-textile printing: the J850™ TechStyle™. Powered by their 3DFashion™ technology, it is already revolutionizing prototyping and manufacturing in the fashion and automotive sectors, enabling unparalleled design complexity and customization. Their technology accelerates lead times, enhances design flexibility, and supports sustainable production, with more applications continually emerging.

WKS

COMBAT CLOTHING WASTE – WKS Group, an established textile solutions provider with 7 European locations, offers an extensive range of sustainable services throughout the fashion supply chain. These include quality assurance, reverse logistics, and personalized recovery strategies for damaged bulk productions. Introducing RE-VOGUE VENTURES, the circular initiative for the resale and refurbishment of second-hand garments involves the management of trade-ins professional renewal/ repair, and re-commerce of pre-loved clothing. This endeavour underscores WKS Group’s commitment to reducing clothing waste by transforming secondhand items into first-choice options, maximizing the lifespan of each garment.

YOONA.AI

yoona.ai Suite seamlessly merges Data Analytics and Generative AI, revolutionizing design as a collaborative interplay between human creativity and technological expertise. Every stroke, colour, and form is shaped by data-driven insights and empowered by AI-generated possibilities. This innovative synergy transforms design into a dynamic, strategic process, aligning aesthetics with market trends. Yoona AI Suite charts a course toward an evolved design landscape that captivates aesthetically while staying finely attuned to the pulse of the market – a fusion where human ingenuity dances alongside technological advancement, shaping a visionary future for design.

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Digitale Klarheit im Design - ASSYST

Digital Clarity in Design

16. January 2024

Digital processes elevate design to a new level, but only when the result is right and quick. To ensure the flow of ideas and data, Style3D | Assyst passionately develops and confidently explores new paths.

In the 3D simulation, the dress moves as if caught in a breeze. Whether it‘s a skirt or a down coat, the movement looks so realistic that one tends to forget the computer. Everyone in design, technical development, and pattern teams is meant to experience this seamless connection between the digital and the real world. Fabric, human, and pattern are realistically represented, pushing the boundaries of technology. The results are captivating, opening up new possibilities in clothing development and fabric design.

Digital fabrics facilitate collaboration

With both physical and digital fabric versions, manufacturers can provide better guidance. At events or in their own showroom, fabrics are collectively examined. The scanned digital version can be recolored, enlarged, experimented with in designs, and shared with colleagues on-site or later in the company. Once everyone agrees, the fabric is purchased and ideally produced afterward.

 

3D design and 2D patterns merge

A common scenario: everything looks good digitally until the pattern comes into play. Suddenly, a seam line on the back or inserts on the sleeves are necessary, disrupting the design idea. Numerous approval rounds like these are required in developing a new collection. It‘s much faster when the design interacts directly with the production-ready pattern. The designer doesn‘t need to switch to the CAD system; the pattern stays in the background, automatically updating and reapproving for significant changes.

3D clothing reaches customers

From showroom to eShop or store, it can take weeks … or just days. With the right tools, 3D designs transform into high-quality marketing and sales visualizations. All with the characteristics of the digital product matching the real one, complemented by suitable digital experiences.

Artificial Intelligence begins to create value

When rapid new ideas are needed, inspiration is crucial. AI, like in a brainstorming session, helps generate fresh ideas and refine one‘s concept. Designs can be created quickly, and unsuitable versions can be sorted out promptly. The right design can be replicated and further refined.

Fashion undergoes sustainable change

When design (3D) and production (2D) seamlessly connect, the apparel industry changes significantly. Design, pattern, and technical development can work more easily, sustainably, and cost-effectively, resulting in less fabric and fewer patterns throughout the process. The remarkable aspect is that this revolution requires minimal effort for individuals. Everyone can continue working in their familiar systems, and the integration of systems leads to a closer collaboration with clear results. Each digital design matches the real product, providing extra clarity that is particularly valuable for design teams, thanks to the benefits of digitization.

WE LOOK FORWARD TO WELCOMING YOU IN

→ HALL 2 | D 24 or digitally at www.assyst.de

PROGRAM:

AI for inspiration and promotion
Digital Knitwear Design with KM.On
3D/2D.Connect – Design with product-ready pattern
Digital Fabric for brands and manufacturers
Collaboration – on site, remote or worldwide

 

OUR PRESENTATIONS IN THE KEYHOUSE:

Design from idea to shelf – the new possibilities for designers
with AI and 3D/2D.Connect from Style3D | Assyst

Global design & production – 3D/2D CAD in the supply chain
[Best Practice]

Discover more industry-changing innovations at our upcoming trade fairs:

BLUEZONE

23/01 – 24/01/2024

www.bluezone.show

MUNICH FABRIC START

23/01 – 25/01/2024

www.munichfabricstart.com

KEYHOUSE

23/01 – 24/01/2024

www.keyhouse.show

by Chantal Graeff

ORTA x Long John

ORTA x Long John presents:

The Biggest Sustainable Jeans!

13. January 2024

ORTA x Long John Presents: The biggest sustainable jeans!

The well-known Turkish denim manufacturer ORTA, celebrated its 70th anniversary last year teams up with Wouter Munnichs, founder of online denim magazine Long John and freelance denim specialist for brands and retail, to create the biggest sustainable pair of blue jeans ever made. This huge collaboration jeans will be on display at denim fabric trade show Bluezone in Munich, Germany on the 23rd and 24th of January, 2024.

This January, ORTA and Long John will join forces in a very special jeans collaboration. Together they developed the biggest sustainable jeans ever produced to set a new milestone within the denim industry. This display jeans is made with a waist size 133 and a total length of around 4,5 meters. For the inspiration of this collaboration jeans, they looked at the past when huge display jeans were made as a promotion for a denim brand. These originals were used to showcase a jeans brand in a unique and unmissable way in front of retailers and at rodeo events in the West of America from the 1920’s onwards.

Showcasing the new sustainable denim fabric

The idea of making something that stands out came when ORTA developed a new sustainable denim fabric with code 4853A, colored Steel Blue. This rigid 2/1 Z twill denim fabric weighs 10.6 oz and is made with a composition of 80% better cotton + 20% post-consumer recycled cotton. The fibers as well as the fabric were all manufactured in Turkey locally. As a long partner of ORTA, Long John sat down with the ORTA to think about a way they could present this innovative denim fabric that can’t be missed by each visitor of the Bluezone trade show in Munich. Soon, they were thinking of creating this enormous pair of jeans.

The inspiration for the display jeans

The design of the ORTA x Long John display jeans is inspired on the original miner jeans that were worn during the kick-off of the so-called ‘Gold Rush’ period around 1850 in California, USA. During this period, many people from all over the world came to California when gold was discovered in the mines. To get the job done, a sturdy and durable pair of blue jeans was needed. This is seen by many as the kick-off of the history of denim. The rest is history.

The ORTA x Long John display jeans is produced with an eye for detail, just like the originals. Key detail features on this pair are included such as one back pocket, a cinch back, suspender buttons on the waistband, and even a crotch rivet on the front. Also, for this display pair, a huge hangtag is produced, the same as a back patch from sustainable cotton fabric showing both ORTA and Long John logos.

Displayed at Bluezone

The biggest sustainable jeans ever produced by ORTA x Long John will be showcased for the very first time at the denim fabric trade show Bluezone in Munich on the 23rd and 24th of January. Don’t miss this chance to get yourself photographed in front of this big 133-sized pair of blue jeans.

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by Chantal Graeff

Diversity in Dynamics

Diversity in Dynamics:
An Exploration Of Our Relationship(s) With Textiles

An editorial by Simon Angel, Curator of the SUSTAINABLE INNOVATIONS Forum

11. January 2024

Marvelling at the levels of sophistication and innovation modern fabrics have attained and continue to breach, it is easy to forget that our relationship with textiles is one of the most intimate and primal ones we have. Granted, today’s creations are (thankfully) far removed from the scratchy cloth our ancestors wore huddled around the fire.

But over the course of time, our relationship with textiles has changed. While we have – technically and commercially – never been closer to textiles, ambitiously engineering fabric compositions to cater to an increased demand of sustainability, for instance, we are ironically also stepping further away emotionally from what was once – literally – closest to us. Today, our engagement with textiles is largely dependent on the prism through which we choose to experience and value it:

We have increasingly come to approach textiles as objects of research and science, questioning what characteristics new fabrics ought to have and how existing textiles can be improved to comply with the ever-changing demands of the market. Impressive examples of such science-led approaches are two projects within the BIOTEXFUTURE-cluster, led by the Institute for Textile Technology (ITA) and the Chair for Technology and Organizational Sociology (STO) at RWTH Aachen together with their industry partner adidas. Within BIOTEXFUTURE, they investigate the transition of the textile value chain to bio-based materials, including alternatives to conventional elastane (CO₂Tex), or the establishment of bio-based polymers in the industry (BIOBASE).

Of course, textiles also lend themselves to in-depth material exploration, analysing intricacies of production and means of (p)rethinking and challenging standards. Think of leather and its unique characteristics – who would have thought something strikingly similar could be crafted from a hemp plant, as illustrated by Lucas Fuhrmann’s “Revoltech”? Or going so far as to almost brutally decontextualize a biomaterial like feathers from their original purpose of insulation, submitting it completely to the functionality of aesthetics, as Suzanne Corcessin has done with “Being Plucked”.

Simon Angel

And still, textiles can be a means of social connection – looking at the emotional component of fabrics, their functionality and the effects they have on others in public and private interaction, reconstructing relationships and the marriage between human and textile. Beautiful testaments of such exploration are the works of Paul Schaffer, whose collection of woven fabrics aims to foster appreciation for the interconnectedness of organisms, Sophie Conroy, who investigates the metaphysical significance of textiles as a connection between the body and the environment, and Elizabeth Balado’s “Blooming Minds: Social Printing”.

Are we leading or following completely different dynamics? Are we at risk of sacrificing artistic intimacy for scientific progress? Are we winning or losing touch? It’s not about being right or wrong, but a question of prism. The Sustainable Innovations Forum proves that it is possible to navigate these different dynamics. Take Cloudwool, for example: with a diverse portfolio and numerous opportunities to work with their product, they have attracted the attention of the likes of Grenson and Balenciaga, effectively demonstrating that it IS possible to unite the different dimensions of soul and science, while successfully positioning their product at the same time.

Feel the difference in dynamics for yourself – come and meet us in the KEYHOUSE and experience the Sustainable Innovations Forum.

Best wishes,
Simon

INFORM & INSPIRE YOURSELF AT THE MUNICH FABRIC START

IN THE SUSTAINABLE INNOVATIONS AREA IN THE KEYHOUSE – H5!

Discover more industry-changing innovations at our upcoming trade fairs:

BLUEZONE

23/01 – 24/01/2024

www.bluezone.show

MUNICH FABRIC START

23/01 – 25/01/2024

www.munichfabricstart.com

THE SOURCE

23/01 – 24/01/2024

www.thesource.show

by Chantal Graeff

GANNI – Fashion made from next-gen materials

Fashion made from next-gen materials

In conversation with Ganni about their sustainability journey

Interview by Muchaneta ten Napel, Founder and CEO, Shape Innovate

9. January 2024

Munique magazine contributor Muchaneta ten Napel, recently had the opportunity to sit down with Lauren Bartley, the Chief Sustainability Officer at GANNI to dive into the brand’s sustainable initiatives and vision for the future of fashion.

Muchaneta ten Napel (MTN): “Lauren, can you share with us GANNI’s journey towards sustainability and how it’s integrated into your brand’s ethos and fashion design?”

Lauren Bartley (LB): “Absolutely, Muchaneta. It starts with our founders Ditte and Nicolaj, who are personally passionate about the topic of sustainability and hacking the fashion system – it’s at the core of everything we do at GANNI and has been key to our progress in the area. In 2019, we created our first sustainability strategy the GANNI Game-plan comprised of 44+ goals to reach by 2023 surrounding People, Planet, Product and Prosperity. In 2022, we completed our first strategy and became a B Corp Certified company and now we are well in to our second strategy Game-plan 2.0, running until 2025 – which creates further impact to our business model and operations.”

Future Denim Shirt med in Circulose® by Renewcell – a natural material made via textile waste, and Circulose®, which transforms textile waste into a new material without the need for cotton fields, oil, or trees

Our GANNI Bou bag in Ohoskin, made from orange and catus 100% Ohoskin (48% plant-based content, 52% Recycled Plastics)

Photo by Mathias Nordgreen

Dress in Oleatex – a plant-based olive leather alternative made from waste streams from olive oil production.

Our GANNI Bou bag in Ohoskin, made from orange and catus 100% Ohoskin (48% plant-based content, 52% Recycled Plastics)

Photo by Mathias Nordgreen

M.T.N.: “What are the unique challenges and opportunities you’ve encountered in incorporating next-generation materials into GANNI’s collections?”

L.B.: “The opportunity is to re-think fashion as we know it and empower our designers to do what they do best – get creative – and create something beautiful. We’re committed to working with fabric innovation as it’s the only way we will reach our ambitious carbon reduction goals – a 50% absolute carbon reduction by 2027. By 2025, 10% of our collections will be made from Fabrics of the Future. There are obviously challenges too, especially around scalability and the commerciality of the materials and that’s why it’s so important for us to invest and encourage other brands to invest too, because we all desperately need the solutions the innovators are offering. Commercial viability, but it’s essential to invest in these innovations.”

M.T.N.: “How has GANNI’s experience been in piloting new textiles on a smaller scale, and what impact has community feedback had on these initiatives?”

L.B.: “We will always introduce a new fabric innovation through a pilot project, to test and learn and get feedback from our community. So far, the response has been extremely positive. For us it’s about seeing these next-gen materials as something new and not comparing it to existing materials and fabrications.”

M.T.N.: “Navigating the costs and investments in sustainable materials is crucial. Can you discuss GANNI’s approach?”

L.B.: “Its early days, for now we have piloted around 10 material innovations, but the challenge is really to scale them to a commercially viable status. The pilots are an investment for GANNI, with no clear return on investment, that is not a sustainable model for any company and that is why we need these innovators to succeed and for GANNI to do whatever we can to help make it possible. We will have Renewcell’s Circulose in our main collections in 2024 and scaled and it’s exciting to see how that resonates with our community.”

M.T.N.: “Could you share insights into GANNI’s strategies for circular fashion and waste management?”

L.B.: “As part of our Game-plan 2.0 and commitment to Circularity, we have a goal of 5% of revenue coming from circular business models by 2025 from a 2021 baseline. With our Circular Business Models we look at new business models that have potential to reimagine the fashion industry as we know it. Currently, we are revising the Circularity strategy and will be sharing more on our goals within the pillars ‘Designed for Circularity’, ‘Recycling’ and ‘Circular Business Models’ in early 2024.”

M.T.N.: “How does GANNI approach consumer education regarding sustainable fashion?”

L.B.: “Our biggest communication channel on Responsibility is our instagram account @GANNI.Lab where 100% of the feed is dedicated to our journey in becoming the most responsible version of ourselves. This is very much about what GANNI needs to do and where we are on our journey and does not put the onus on the end consumer. With all our communication we try to speak to our community in a meaningful and honest, not perfect way, showing the hard stuff, the stuff we didn’t get right, as much as we show the stuff we nailed.”

M.T.N.: “In the context of forming partnerships, what insights can you share about GANNI’s collaborations?”

L.B.: “We believe in the power of industry collaboration, no brand will succeed in a sustainable transition alone. GANNI works with over 30 material innovators and 13 partners and software solutions to help us progress on environmental sustainability, social sustainability and traceability. We would not be where we are without our partners.”

M.T.N.: “As the Chief Sustainability Officer, what is your vision for the future of sustainable fashion?”

L.B.: “For me, the onus is on the brands to offer more sustainable solutions to its customers – whether that be more responsible fabrics, transparent supply chains, workers paid a living wage and the adoption of new business models such as resale. We cannot force people into sustainable fashion, but by making it convenient, accessible and raising the education and awareness of some of the challenges and ultimately solutions in the industry, we can encourage more responsible consumption and behaviour. It’s a brave endeavour for a brand to recognise their own shortcomings, but being transparent, being honest and not perfect solidifies the value and integrity of the company- which ultimately, we can all appreciate as consumers”.

Are you interested in more in-depth facts and figures on the new textile industry?

Visit the Shape Innovate Lounge in H5 | 04 or take part in the mini-lectures in the Keyhouse.

About the author

Muchaneta Ten Napel is the founder of Shape Innovate, a company that critically examines the economic impact of the fashion industry and publishes comprehensive, data-driven research, white papers and forecasts that shed light on the fiscal dynamics of both fast fashion and sustainable fashion practices.

In addition to running Shape Innovate, Muchaneta is the driving force behind FashNerd.com, her own digital platform dedicated to the latest tech developments in the fashion industry. As well as writing for her platform, she has also contributed to Vogue Business and is currently a senior contributor at The Interline.

Muchaneta is a lecturer at London College of Fashion (UAL), has taught at Conde Nast College of Fashion and UCL and has held a workshop at Zurich University of the Arts to share her extensive knowledge.

With extensive industry experience, Muchaneta is also a fashion innovation consultant and has authored in-depth research for companies such as LVMH Atelier.Muchaneta, who was actively involved with the UNFCC and Climate KIC during COP27, is now Chair of the Cultural and Creative Industries (CCI) Taskforce for the UN Climate Change Global Innovation Hub.

To further expand her influence, Muchaneta hosted the Innovation Stage at the Global Fashion Summit in Copenhagen and is a board member of the Fashion Innovation Center, where she contributes her strategic insights to further revolutionise the industry.

Muchaneta ten Napel | m@shapeinnovate.com

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by Chantal Graeff

ReSOURCE - Autumn.Winter 24/25

ReSOURCE HIGHLIGHTS FOR Autumn.Winter 24/25

24. October 2023

ReSOURCE is the sourcing platform for environmentally friendly and responsibly produced textiles, apparel and accessories. Search, discover and source – all in one place. Order sustainable materials online at any time on www.resource-textiles.com

With around 700 samples, the area for innovative fabrics and additionals that are bio-certified, bio-based, recycled, recyclable or from regenerative sources has once again grown significantly compared to previous seasons.

It’s the bio-based alternatives, eco-friendly finishes, recycled materials and innovative dyeing techniques using natural resources like coffee grounds that make the latest ingredients and accessories so forward-thinking. We’re featuring Spring.Summer 24 developments from some of our ReSOURCE exhibitors that you won’t want to miss:

REGENAGRI

regenagri is a regenerative agriculture initiative addressing the issues of soil health and the climate and biodiversity crisis. 100% regenagri CO.

  • Categories: Organic/Natural
  • Composition: 100% Cotton
  • Certifications: ISO 14001, regenagri Content Standard, STANDARD 100 by Oeko-Tex®
  • Applications: Active Wear, Cotton Fabrics, Jersey Fabrics
  • Supplier: ÖZEN MENSUCAT

regenagriMORE ABOUT ÖZEN MENSUCAT AT RESOURCE

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InResST

InResST® Recycled Nylon is made from ghost fishing nets.

  • Categories: Recycled, Regenerated Celulosics
  • Composition: 70% ECOVERO™, 30% InResST® Recycled Nylon
  • Certifications: FSC, GRS, ISO 14001, STANDARD 100 by Oeko-Tex®
  • Applications: Active Wear, Jacquard, Jersey Fabrics, Lenzing™ Technologies, Recycled Textiles, Regenerative Textiles
  • Supplier: ÖZEN MENSUCAT

InResSTMORE ABOUT ÖZEN MENSUCAT AT RESOURCE

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REFIT

REFIT is a high-end, eco-friendly, uncoated paper. It includes 40% post-consumer recycled waste topped up with 15% wool fibers. It is 100% recyclable and biodegradable.

  • Categories: Recycled, Regenerated Celulosics
  • Composition: 40% Paper, 40% rec Paper, 20% Cellulose
  • Certifications: FSC
  • Applications: Accessoires, Cellulose, Membrane, Labels, Labels, Recycled Textiles
  • Supplier: TEXCART S.R.L.

MORE ABOUT TEXCART AT RESOURCE

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DESSERTO

Desserto is a cactus- based biomaterial as an alternative to leather.

  • Categories: Leather & Alternatives
  • Composition: 65% Biobased content, 15% Cotton, 20% Polyester
  • Certifications: STANDARD 100 by Oeko-Tex®
  • Applications: Accessoires, Labels, Hangtags, Labels
  • Supplier: Redmark

DESSERTOMORE ABOUT REDMARK AT RESOURCE

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MONO MATARIAL HANG-TAGS

FSC rec paper hangtags + FSC mix paper strings, simplifying waste sorting.

  • Categories: Recycled, Regenerated Celulosics
  • Composition: 100% rec Paper, 100% Paper
  • Certifications: FSC
  • Applications: Labels, Hangtags
  • Supplier: STUDIO 9 DENMARK A/S

MROE ABOUT STUDIO 9 DENMARK AT RESOURCE

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ALGADYE

Algae-based dye is fully biodegradable and can be applied to various fabrics. Made from our patented, award-winning formulation, ALGADYE™ is best used for large-scale dyeing and surfaces, so you can make a large-scale sustainable impact. ALGADYE™ contains algae’s botanical properties that offer skincare benefits to those who wear it.

  • Categories: Innovative Alternatives, Pollution free
  • Composition: 87% Nylon, 13% Elastane
  • Certifications: Bluesign
  • Applications: Eco Finish
  • Supplier: ALGAEING

ALGAEINGMORE ABOUT ALGALIFE AT RESOURCE

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FALMOUTH

100% Regenerative Cotton. Regenerative Cotton is a revolutionary method of cultivating cotton which seeks to upturn the environmental effects of industrial farming.

  • Categories: Regenerated Celulosics
  • Composition: 100% Cotton
  • Certifications: regenagri Content Standard
  • Applications: Cotton Fabrics, Regenerative Textiles
  • Supplier: SÖKTAS TEKSTIL A.S

MORE ABOUT SÖKTAS TEKSTIL A.S. AT RESOURCE

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ALGADYE

Algae-based dye is fully biodegradable and can be applied to various fabrics. Made from our patented, award-winning formulation, ALGADYE™ is best used for large-scale dyeing and surfaces, so you can make a large-scale sustainable impact. ALGADYE™ contains algae’s botanical

  • Categories: Innovative Alternatives, Pollution free
  • Composition: 18% Elastane-Spandex, 72% rec Nylon
  • Certifications: Bluesign
  • Applications: Eco Finish
  • Supplier: ALGAEING

ALGAEINGMORE ABOUT ALGALIFE AT RESOURCE

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NEXT SHOW

23/01 – 25/01/2024

HALL 2 | MOC Munich

DISCOVER FURTHER RESOURCE PRODUCTS

by Chantal Graeff

The Fabric Trends Autumn.Winter 24/25 - Part VIII

Fabrics Highlights for Autumn.Winter 24/25 - Part VIII

19. October 2023

In the FABRICS Area, around 600 international suppliers present their material innovations for all apparel segments. The complete product portfolio of fashionable woven and knitted fabrics made of wool, cotton, silk, blends and functional fibres is represented here. For the Autumn.Winter 24/25 season, we present some highlights from international producers in our FABRICS blogposts:

YÜNSA

Leading fashion trends with its innovative products developed with a focus on sustainability, Yünsa responds to increasing comfort expectations with highly elastic, functional fabrics, while offering a rich variety of colors and patterns that appeal to all ages and styles. Developed to meet the needs of different customers, Yünsa collections offer quality, elegance and comfort together with the latest fashion.

YÜNSA

ZEYNAR

In Zeynar autumn.winter 24/25 collection the color focuses of the season are intense rust, apricot crush, matcha, and plum. The combination of plum with matcha is futuristic and calming. Aprico Crush stands for hope and raises positivity which is rounded off by a little autumn dust with intense rust. As environmental-friendly company, they focus on continuously developing sustainable fabrics in their entire collection.

ZEYNAR

KARMA KOKTEYL KNITTINGS

Karma Kokteyl is a fabric manufacturer over 35 years of experience. Over these years, we continue to our production by following the latest innovations on the fashion and techonological developements. Our main vision is to give our customers fast and quality production according to their exact requests. In our compay, we are able to produce fabrics like;  Single jersey, Double jersey, Jacquards, Ribs, Interlock, Elec. Jacquards,Pique. The key fibres used are; viscose, cotton, polyamide, polyester, linen and spandex with also of branded yarns like lycra, modal, tencel, lyocell, and organic cottons.As a company,  it is our goal for the new season to continue working with sustainable fibers and their blends, as well as jacquard and interlock knitting.

KARMA KOKTEYL KNITTINGS

VICTOR TÊXTEIS

Victor Têxteis is a trademark of Pinto Nogueira Lda, a family company operating in the national textile sector, certified by Standard 100 by OEKO-TEX® and GRS-Global Recycled Standard®. They have over 29 years of experience and are based in Vila Nova de Gaia, Portugal. Their core business is production and supply of sustainable textile solutions, mostly produced in Portugal, in order to create articles such as swimwear and sportswear (Mesh, Polyamide, Polyester). They have a great concern with sustainability, and they have a selection of high quality environmentally friendly fabrics.

VICTOR TÊXTEIS

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by Chantal Graeff